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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Artist on the Artist - Página 29
por Harry Guest - 2000 - 462 páginas
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Elocution: Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 384 páginas
...censure: they blame, or praistt but as one leads the other. O what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit. That from her working, all his visage warro'd, Tears in his eyes, distraction In Ms aspect, A broken voice, and his whole function suiting,...
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The Methodist new connexion magazine and evangelical repository, Volumen71

1868
...sensational is fostered. Most of what has just been said applies with special force to the lierformers. " Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in '• aspect, A broken voice, and his whole function suiting...
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Bibliotheca Sacra and Theological Review, Volumen2

1845
...rehearsal, when the players had left him, Hamlet said : — " Oh what a rogue and peasant slave am I '. Is it not monstrous, that this player here, But in...own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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The rhetorical reader, consisting of choice specimens of oratorical ...

John Hall Hindmarsh - 1845 - 80 páginas
...wr'etch and peasant slaVe am I' ! Is it not monstrous, that this player he're, (B'ut in a fTction, in a dr'eam of p'assion,) Could force his soul/ so'...conce'it, That, from her w'orking, all his vi'sage warm'ed, Tea'rs in his ey'es, distra'ction in his asp'ect, A broken voTce, and his whole fu'nction/...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 320 páginas
...censure: they blame, or praise, but ns one leads the other. 0 what a rogue and peasant slave am I! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, 1 'mild force his soul so to bis own conceit. That from her working, all his visage warm'd. Tears in...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 384 páginas
...the other. O v\hal a rogue and peasant slave am I ! Is It not monstrous, that this player here, Bui In a fiction, in a dream of passion, Could force his soul so to his own conceit, TII t from her working, all his visage warm'd, Tuars in his eyes, distraction In hts aspect, A broken...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 320 páginas
...DUTY. О what a rogue and peasant slave am I ; Is it not monstrous, that this player here, Bui in л fiction, in a dream of passion, Could force his soul so to his own counsel, That, from her working, all his visage warmed ; Tears in his eyes, distraction in his aspect,...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - 1845 - 384 páginas
...what a rogue and peasant slave am I ; Is it not monstrous, that this player here, But in л nftion. in a dream of passion, Could force his soul so to his own counsel, Thai, from her working, all his visage warmed ; Tears in his eijtt, distraction m his aspect,...
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Hamlet

William Shakespeare - 2001 - 500 páginas
...not men^ tally affected. 523. peasant slave] It is shown by FURNIVALL in M. 6» Qu. 12 April and 3Is it not monstrous that this player here, But in a fiction, in a dream of passion, 525 Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears...
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Hamlet

William Shakespeare - 2001 - 148 páginas
...here, 490 But in a fiction, in a dream of passion, 491 Could force his soul so to his own conceit 492 That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, 494 A broken voice, and his whole function suiting With forms to his conceit? And all...
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