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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Artist on the Artist - Página 29
por Harry Guest - 2000 - 462 páginas
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The plays of William Shakspeare, with the corrections and illustr ..., Volumen15

William Shakespeare - 1809
...and GUIL, Ham. Ay, so, God he wi' you:— Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here,* But in...passion, Could force his soul so to his own conceit, * Is it not monstrous, that this player here,] It should seem from the complicated nature of such parts...
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The Plays of William Shakespeare ...: With the Corrections and ..., Volumen15

William Shakespeare - 1809
...and Gu1I'. Ham. Ay, so, God he wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here,* But in...passion, Could force his soul so to his own conceit, • Is it not monstrous, that this player here,] It should seem from the complicated nature of such...
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The Plays of William Shakespeare: With the Corrections and ..., Volumen15

William Shakespeare - 1809
...contrary, his fine description of the actor's emotion shows, he thought just otherwise : " — — this player here, " But in a fiction, in a dream of passion, " Could force his soul so to his own concett, " That from tter working all his visage wan'd: " Tears in his eyes, distraction in his aspect,...
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The Port Folio, Volumen1

1809
...and pleasures of fiction, than if they were real. " That in a fiction, and a dream of passion, Can force his soul so to his own conceit; That from her working all his vision wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whdle functions...
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Elements of Elocution: In which the Principles of Reading and Speaking are ...

John Walker - 1810 - 379 páginas
...complaint, fretting, and remorse. Vexation at neglecting one's duty. O what a rogue and peasant slave am I ; Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage warm'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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The Mirror of Taste, and Dramatic Censor, Volumen4

1811
...like a very drab, A scullion! Fie upon't! foh! And further, O, what a rogue and peasant slave am 1! Is it not monstrous, that this player here, But in...fiction, in a dream of passion, Could force his soul to his own conceit, That, from her working, all his visage warm'd; Tears in his eyes, distraction in's...
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Romeo and Juliet. Hamlet. Othello. Glossarial index

William Shakespeare - 1811
...GUILDENSTERN. Ham. Ay, so, God be wi' you: — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...fiction, in a dream of passion, Could force his soul to his own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's...
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The Plays of William Shakspeare: Accurately Printed from the Text of Mr ...

William Shakespeare - 1811
...passion, Conld force his sonl so to liis own conceit, That, from her working, all his visage wann'd; Tears in his eyes , distraction in's aspect, A broken voice, and his whole fnnction sniting With forms to his conceit? And all for nothing! For Hecnha ! What's Hecnha to him,...
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The Works of William Shakespeare, Volumen8

William Shakespeare - 1812
...and GUIL. Ham. Ay, so, God be wi" you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect,1 A broken voice, and his whole function suiting...
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The Works of William Shakespeare: In Nine Volumes, Volumen8

William Shakespeare - 1812
...and GUIL. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, * A broken voice, and his whole function suiting...
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