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" Achilles' image stood his spear Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. "
The Prose Works of Charles Lamb - Página 189
por Charles Lamb - 1836
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Englische Studien, Volumen2

Eugen Kölbing, Johannes Hoops, Reinald Hoops - 1879 - 558 páginas
...look sad« oder von Symbolismen , wie »for Achilles' image stood his spear, Grip'd in an armed band: himself behind Was left unseen, save to the eye of mind. A band, a foot, a face , a leg, a head, Stood for the whole to be imagined.« — In bezug auf die thatsache,...
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Life and Letters of John Howard Raymond

John Howard Raymond - 1881 - 1296 páginas
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear Grasped in an armed hand ; himself behind Was left unseen, save to the eye of mind .' ' We have hitherto spoken chiefly of Mr. Poe's collected tales, as by them he is more widely known...
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Edgar Allan Poe: His Life, Letters, and Opinions, Volumen1

John H. Ingram - 1880 - 334 páginas
...was there ; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Gripp'd in an armed hand ; himself, behind, Was left unseen, save to the eye of mind.' " Professor Lowell, alluding to the highly finished and classical form of Poe's writings, refers, as...
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The Works of Charles Lamb, Volumen3

Charles Lamb - 1881 - 892 páginas
...compact, so kind, That for Achilles' image stood his spear, Orip'd in nn armcrl hand; himself behind Wa* left unseen, save to the eye of mind; A hand, a foot, a face, a ieg, a nead, Stood for the whole to be imagined. " This he well calls imaginary work, where the spectator...
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The Works of Shakesspeare

300 páginas
...imagination'. Roll. quotes a happy phrase .from Lamb, 'On. . .Hogarth', Works, ed. EV Lucas (1903), 1, 74, 'This he well calls imaginary work, where the spectator must meet the artist in his conceptions halfway'. The rest of the stanza ekborates the notion. Neither 'fanciful' (Schmidt) nor 'of the nature...
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Shakespeare, Contemporary Critical Approaches

Harry Raphael Garvin, Michael Payne - 1980 - 210 páginas
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. (11. 1422-28) The battle scenes are described in general terms in Lucrece's picture, but the impact...
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Rethinking Art History: Meditations on a Coy Science

Donald Preziosi - 1989 - 290 páginas
...was there; Conceit deceitful, so compact, so kind That for Achilles' image stood his spear, Grip 'd in an armed hand; himself behind, Was left unseen, save to the eye of mind: A hand, afoot, a face, a leg, a head, Stood for the whole to be imagined. — Shakespeare 1 . Time out of Mind...
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Aesthetic Illusion: Theoretical and Historical Approaches

Frederick Burwick, Walter Pape, University of California (System). Humanities Research Institute - 1990 - 494 páginas
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand, himself behind Was left unseen, save to the eye of mind: [...] (11. 1422-1426) Lamb's allusion points to the fact that Shakespeare's poem contains the kind...
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The Poems & Sonnets of William Shakespeare: With an Introduction and ...

William Shakespeare - 1994 - 212 páginas
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Griped in an armed hand, himself, behind, Was left unseen,...eye of mind: A hand, a foot, a face, a leg, a head, And from the walls of strong-besieged Troy When their brave hope, bold Hector, marcht to field Stood...
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Advances in Visual Semiotics: The Semiotic Web 1992-93

Thomas Albert Sebeok, Donna Jean Umiker-Sebeok - 1995 - 690 páginas
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Griped in an armed hand; himself behind Was left unseen,...a leg, a head Stood for the whole to be imagined. (Burto 1968: 141, 11. 1422-28) Shakespeare's description testifies to the synecdochic aspirations of...
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