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Libros Libros 41 - 50 de 57 sobre Fancy, on the contrary, has no other counters to play with but fixities and definites....
" Fancy, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space... "
The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay ... - Página 364
por Samuel Taylor Coleridge - 1864
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Sight & Sound

2001 - 189 páginas
...Emerson, „Gnothi Seauton". VI, 52-57. 306 Vgl. Wellek, History of Modern Criticism. Vol. 2. S. 391. FANCY, on the contrary, has no other counters to play with, but fixities and deflnites. The Fancy is indeed no other than a mode of Memory emancipated frorn the order of time and...
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"Das Heilige sei mein Wort": Paradigmen prophetischer Dichtung von Klopstock ...

Bernadette Malinowski - 2002 - 464 páginas
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word...
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A Way of Seeing: Perception, Imagination, and Poetry

John Allison - 2003 - 167 páginas
...and unify. It is essentially vital, even as all obfects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will which we express by the word...
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The Postmodern Short Story: Forms and Issues

Farhat Iftekharuddin, Joseph Boyden, Mary Rohrberger, Jaie Claudet - 2003 - 282 páginas
...craft of writing. In his Biographia Literaria, Samuel Taylor Coleridge offers this felicitous claim: "The fancy is indeed no other than a mode of Memory emancipated from the order of time and space" (305). We might say that fiction and creative nonfiction operate on a continuum of memory, with fuller...
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Three Dialogues Revisited

Marius Buning, Matthijs Engelberts, Sjef Houppermans - 2003 - 278 páginas
...I AM." He also defines Fancy as having "no other counters to play with. hut fixities and dcfinites. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and space" 1Coleridge. 304-3051. In this. Coleridge places Fancy in contrast with Imagination. Yet. while Fancy...
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Coleridge and Emerson: A Complex Affinity

Sanja Sostaric - 2003 - 364 páginas
...definition in Biographia Literaria by pointing out that fancy plays with "fixities and definities", being "no other than a mode of Memory emancipated from the order of time and space" (CW 7,1: 305). Only in the last phase of the process was the poet to some extent enabled to participate...
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Imagining Numbers: (particularly the Square Root of Minus Fifteen)

Barry Mazur - 2004 - 288 páginas
...Biographia Literaria between what he calls the imagination and its less daring sibling fancy, which "is indeed no other than a mode of memory emancipated from the order of time and space."17 In some circles, the concept of the imaginative faculty (or, at least, the idea that you...
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Pensées de l'"un" dans l'histoire de la philosophie: études en hommage au ...

Werner Beierwaltes, Jean-Marc Narbonne, Alfons Reckermann - 2004 - 581 páginas
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definîtes. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and...
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Fantastic Literature: A Critical Reader

David Sandner - 2004 - 357 páginas
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and definities. The fancy is indeed no other than a mode of memory emancipated from the order of time and...
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The Collected Letters of C.S. Lewis, Volume 1: Family Letters, 1905-1931

C. S. Lewis - 2004 - 1072 páginas
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and définîtes. The fancy is indeed no other than a mode of memory emancipated from the order of time...
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