...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...The Fancy is indeed no other than a mode of Memory emanicipated from the order of time and space.20 namely genius and original creativity. They were thrown...

...stories are always a symbolic representation of ourselves. (Gersie and King 1990) The Fancy [imagination] is indeed no other than a mode of memory emancipated from the order of time and space. (Samuel Taylor Coleridge 1975, p. 167) their culture. Creating an artefact, a piece of writing, out...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word choice. But equally with the ordinary memory of...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word choice. But equally with the ordinary memory of...

...recreate ... to idealize and to unify. It is essentially vital . . ."20 Fancy, on the other hand, is "no other than a mode of memory emancipated from the order of time and space; . . . equally with the ordinary memory the Fancy must receive all its materials ready made from the...

...order ro recreate ... to idealize and to unify. It is essentially i-iMf.' Fancy, on the other hand, is 'no other than a mode of memory emancipated from the order of time and space; . . . equally with the ordinary memory the Fancy must receive all its materia ís ready made from the...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definitcs. The Fancy is indeed no other than a mode of Memory emanicipated from the order of time and...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and defmites. The fancy is indeed no other than a mode of memory emancipated from the order of time and...

...Emerson, „Gnothi Seauton". VI, 52-57. 306 Vgl. Wellek, History of Modern Criticism. Vol. 2. S. 391. FANCY, on the contrary, has no other counters to play with, but fixities and deflnites. The Fancy is indeed no other than a mode of Memory emancipated frorn the order of time and...