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" The painter dead, yet still he charms the eye; While England lives, his fame can never die: But he who struts his hour upon the stage, Can scarce extend his fame for half an age; Nor pen nor pencil can the actor save, The art, and artist, share one common... "
The Port Folio - Página 69
1813
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Eighteenth Century Vignettes: Third Series

Austin Dobson - 1896 - 430 páginas
...unrealized. So true are Garrick's own prophetic words in the Prologue to ' The Clandestine Marriage ' : — ' Nor Pen nor Pencil can the Actor save ; The Art, and Artist, share one common Grave ! ' Richard Mead. DR. MEAD'S LIBRARY. TN that lively and now rather rare little book, •*• the '...
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William Hogarth

Austin Dobson - 1898 - 488 páginas
...dead, yet still he charms the Eye; While England lives, his Fame can never die; But he who struts his Hour upon the Stage, Can scarce extend his Fame for...save, The Art, and Artist, share one common Grave." The idea in the last couplet, which the author of the Prologue is thought to have borrowed from " The...
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Ellen Terry and Her Sisters

Thomas Edgar Pemberton - 1902 - 374 páginas
...dead, yet still he charms the eye ; While England lives his fame can never die. But he who struts his hour upon the stage Can scarce extend his fame for...save, The art and artist share one common grave." • The volumes of theatrical history and biography that have been written and become popular since...
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Book News, Volumen20

1902 - 1046 páginas
...dead, yet still he charms the eye; While England lives his fame can never die, But he who struts his hour upon the stage Can scarce extend his fame for...save, The art and artist share one common grave." This, however, was long before the time of the theatrical history and biography, which have now become...
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Sir Charles Wyndham: A Biography

Thomas Edgar Pemberton - 1904 - 414 páginas
...dead, yet still he charms the eye ; While England lives his name can never die. But he who struts his hour upon the stage Can scarce extend his fame for...save ; The art and artist share one common grave." I hope that in the pages of this permitted biography I shall persuade my old friend to believe that...
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Garrick and His Circle, Página 3

Florence Mary Wilson Parsons - 1906 - 538 páginas
...his calling, but publicly dwelt on it in his prologue to The Clandestine Marriage, which ends — " Nor Pen nor Pencil can the Actor save, The Art and Artist, share one common Grave." It was a novelty to an audience to hear the petted player deliver himself of so melancholy a reflection,...
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Garrick and His Circle

Florence Mary Wilson Parsons - 1906 - 542 páginas
...his calling, but publicly dwelt on it in his prologue to The Clandestine Marriage, which ends— " Nor Pen nor Pencil can the Actor save, The Art and Artist, share one common Grave." It was a novelty to an audience to hear the petted player deliver himself of so melancholy a reflection,...
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At Prior Park: And Other Papers

Austin Dobson - 1912 - 342 páginas
...Prologue to the 'Clandestine Marriage V and Sheridan, with much facile ' fioriture,' included it in that 1 Nor Pen nor Pencil can the Actor save ; The Art, and Artist, share one common Grave. ' Monody ' which was spoken by Mrs. Yates at Drury Lane, on the great actor's death. But it was Lloyd...
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A Survey of English Literature, 1730-1780, Volumen1

Oliver Elton - 1928 - 444 páginas
...yet still he charms the eye ; While England lives, his fame can never die ; But he, who struts his hour upon the stage, Can scarce extend his fame for...save ; The art, and artist, share one common grave . . . Your children cannot feel what you have known ; They '11 boast of Quins and Gibbers of their...
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Mad Folk of the Theatre: Ten Studies in Temperament

Otis Skinner - 1928 - 336 páginas
...observed: " 'But he who struts his hour upon the stage Can scarce extend his fame for half an age; No pen nor pencil can the actor save, The art and artist share one common grave.' " VI THE DELECTABfeE DOEA JORDAN VI THE DELECTABLE DORA JORDAN WHEN this lively little lady emerged...
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