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" ... to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom and directing it to the loveliness and the wonders of the world before us; an... "
The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay ... - Página 365
por Samuel Taylor Coleridge - 1864
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Chambers's Cyclopaedia of English Literature: A History Critical ..., Volumen3

Robert Chambers - 1903 - 888 páginas
...custom and directing it to the loveliness and the wonders of the world before us ; an inexhaustible igh endeavou Wordsworth and his sister did not stay long in Somerset. In the autumn of 1798 they went to Germany,...
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Wordsworth

Sir Walter Alexander Raleigh, Walter Raleigh - 1909 - 250 páginas
...custom, and directing it to the loveliness and the wonders of the world before us : an inexhaustible treasure, but for which, in consequence of the film...not, and hearts that neither feel nor understand." This famous and momentous agreement was, no doubt, a treaty arrived at after much discussion and not...
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The Masters of English Literature

Stephen Lucius Gwynn - 1904 - 452 páginas
...custom, and directing it to the loveliness and the wonders of the world before us : an inexhaustible treasure, but for which, in consequence of the film...not, and hearts that neither feel nor understand. Mr. Raleigh has admirably illustrated the contrast by showing that Peter Bell, which describes the...
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The Masters of English Literature

Stephen Lucius Gwynn - 1904 - 458 páginas
...custom, and directing it 'to the loveliness and the wonders of the world before us : an inexhaustible treasure, but for which, in consequence of the film...see not, ears that hear not, and hearts that neither t'eel nor understand. Mr. Raleigh has admirably illustrated the contrast by showing that Peter Bell,...
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More Nineteenth Century Studies: A Group of Honest Doubters

Basil Willey - 1980 - 310 páginas
...but for which, in consequence of the veil of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand'. It was for the poet to be 'a priest to us all Of the wonder and bloom of the world'; through the deep...
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Biographia Literaria, Or, Biographical Sketches of My Literary Life ..., Parte1

Samuel Taylor Coleridge - 1984 - 860 páginas
...custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which in consequence of the film...ears that hear not, and hearts that neither feel nor understand.2 With this view I wrote the "Ancient Mariner," and was preparing among other poems, the...
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The Cambridge History of Literary Criticism: Volume 5, Romanticism

George Alexander Kennedy, Marshall Brown - 1989 - 532 páginas
...custom and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film...not, and hearts that neither feel nor understand. Coleridge's formulation shows that much in Wordsworth that is not overtly religious may be deemed ancillary...
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Romantic Poetry: Recent Revisionary Criticism

Karl Kroeber, Gene W. Ruoff - 1993 - 520 páginas
...every day" and thus "excite a feeling analogous to the supernatural." "With this view," he continues, "I wrote 'The Ancient Mariner,' and was preparing among other poems, 'The Dark Ladie,' and the 'Christabel,' in which I should have more nearly realized my ideal, than I had done in my first attempt."...
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Gender, I-deology: Essays on Theory, Fiction and Film

Chantal Cornut-Gentille D'Arcy, José Angel García Landa - 1996 - 502 páginas
...custom and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film...of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand. (Coleridge 1975: 169)...
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Gender, I-deology: Essays on Theory, Fiction and Film

Chantal Cornut-Gentille D'Arcy, José Angel García Landa - 1996 - 486 páginas
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand. (Coleridge 1975: 169) Something similar is happening in the philosophy of gender. Theorists of sexuality...
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