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" Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the Heavens, Tumult and peace, the darkness and the light — Were all like workings... "
The Poems of William Wordsworth - Página 314
por William Wordsworth - 1908
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Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy

Greta Claire Gaard, Patrick D. Murphy - 1998 - 270 páginas
...sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side Were all like workings of one mind, the features Of...same face, blossoms upon one tree; Characters of the Apocalypse, The types and symbols of Eternity. (William Wordsworth, Prelude 6, 11. 624-39, qtd. in...
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Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems ...

Rodney Farnsworth - 2001 - 360 páginas
...sight And giddy prospect of the raving stream. The unfeuer'd clouds. and region of the Heavens. TumuIt and peace. the darkness and the light Were all like...upon one tree. Characters of the great Apocalypse. I he types and symbols of Etemity. Of first and last. and midst. and without end l6: 558-72y.46 The...
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Autobiography

Linda R. Anderson - 2001 - 172 páginas
...the poer in the evocation of a Divine face, the finding of a 'presence' which exceeds the poer's own: Tumult and peace, the darkness and the light Were...features Of the same face, blossoms upon one tree, Characrers of the great Apocalypse. (567-570) The poet turns from a missed encounrer with sublimity...
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Baudelaire's World

Rosemary Lloyd - 2002 - 286 páginas
...forlorn, The torrents shooting from the clear blue sky, The rocks that mutter'd close upon our ears, Black drizzling crags that spake by the wayside As...sight And giddy prospect of the raving stream, The unfetter'd clouds, and region of the Heavens, Tumult and peace, the darkness and the light Were all...
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Process and Analysis: Whitehead, Hartshorne, and the Analytic Tradition

George W. Shields - 2003 - 284 páginas
...natural environment, high regard for aesthetic values, a thoughtful and tolerant piety, a generous heart. Tumult and peace, the darkness and the light — Were...features Of the same face, blossoms upon one tree . . . — Wordsworth, cited in Hartshorne, The Darkness and the Light Abbreviations Alfred North Whitehead...
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The Cambridge Companion to Coleridge

Lucy Newlyn - 2002 - 292 páginas
...extends itself as poetic force and intellectual love. It becomes capable of creating and unifying anew: 'all like workings of one mind, the features / Of the same face, blossoms upon one tree' (Prelude (1850), ii, 257-8; 260-1). The extent of Coleridge's use of German thinkers and books, significant...
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Lyrical Ballads and Other Poems

William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 páginas
...forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, 10 Black drizzling crags that spake by the wayside As...face, blossoms upon one tree, Characters of the great Apocalypse,2 The types and symbols of Eternity, Of first, and last, and midst, and without end. 20...
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Expressing the World: Skepticism, Wittgenstein, and Heidegger

Anthony Rudd - 2003 - 284 páginas
...upon our ears— Black drizzling crags that spake by the way-side As if a voice were in them—the sick sight And giddy prospect of the raving stream....features Of the same face, blossoms upon one tree . . . 9 If we ask what it is that these natural phenomena are expressive of, Wordsworth's best answer,...
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D.H. Lawrence and 'difference'

Amit Chaudhuri - 2003 - 246 páginas
...forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears. Black drizzling crags that spake by the way-side As...raving stream, The unfettered clouds and region of Heavens, Tumult and peace, the darkness and the light — Were all like workings of one mind, the features...
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Living Forms: Romantics and the Monumental Figure

Bruce Haley - 2003 - 322 páginas
...Alps, symbols of "first, and last, and midst, and without end," were the very rocks along the road, "Black drizzling crags that spake by the way-side/ As if a voice were in them (Prelude 6: 639—40, 631-2).1 Those crags, present then and presumably still there, must be experienced...
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