| Bill Burns, Cathy Busby, Kim Sawchuk - 1999 - 318 páginas
...pain and donger and they are the most powerful of all the passions. Of the Sublime When danger and pain press too nearly, they are incapable of giving...modifications, they may be, and they are delightful, as we every day eaperience. Edmund Burke A Philasophieal Enquivy into the Origin of Oar Ideas of the... | |
| Lutz Peter Koepnick - 1999 - 296 páginas
...anticipated danger rather than actual danger. It results from the astonishing insight that pain and danger "are simply terrible, but at certain distances, and...with certain modifications, they may be, and they are delightful."43 In his Critique of Judgement, Immanuel Kant investigated in further detail how and what... | |
| Emma Clery, Robert Miles - 2000 - 322 páginas
...itself, if I may say so, more painful, is, that it is considered as an emissary of this king of terrors. When danger or pain press too nearly, they are incapable...modifications, they may be, and they are delightful, as we every day experience. The cause of this I shall endeavour to investigate hereafter. Of the passion... | |
| Walter Jost, Wendy Olmsted - 2000 - 436 páginas
...can only arouse pleasure if it does not threaten to survival, if it can be regarded with disinterest. "When danger or pain press too nearly, they are incapable...with certain modifications, they may be, and they are delightful."23 For Burke, an object is considered genuinely artful, truly aesthetic, if certain conditions... | |
| Joanna Zylinska - 2001 - 200 páginas
...Indeed, Burke goes to great lengths to emphasise the necessary element of moderation in the sublime: 'When danger or pain press too nearly, they are incapable...modifications, they may be, and they are delightful, as we every day experience'.2" Ending one's life 'in the torments' would preclude the possibility of... | |
| Horst Albert Glaser, György Mihály Vajda - 2000 - 784 páginas
...about terrible objects, or operates in a manner analogous to terror, is a source of the sublime [...] When danger or pain press too nearly, they are incapable...modifications, they may be, and they are delightful, äs we every day experience.58 Man mag die Forderung der Distanz als räumliche deuten im Sinne des... | |
| Alan Andrew MacEachern - 2001 - 356 páginas
...original sense of an appreciation of what would, in other circumstances, be dangerous. Burke wrote, "When danger or pain press too nearly, they are incapable...with certain modifications, they may be, and they are delightful."44 By approaching large, wild nature that bespoke no human presence, the viewer could hope... | |
| Steve Odin - 2001 - 310 páginas
...seven of Edmund Burke 's Enquiry into the Origin of Our Ideas on the Suhlime and the Beautiful (1756): "When danger or pain press too nearly, they are incapable of giving any delight, and are simply retrible; but at certain distances and with certain modifications they may be, and they are delighrful,... | |
| Alvaro Felix Bolanos, Alvaro Félix Bolaños, Gustavo Verdesio, Gustavo Also Verdesio - 2002 - 312 páginas
...the strongest emotion which the mind is capable of feeling." (36) In the same section he concludes: "When danger or pain press too nearly, they are incapable...modifications, they may be, and they are delightful, as we everv day experience." (36-37) 55. Neil Hertz, The End of the Line: Essays on Psychoanalysis... | |
| Bart van Leeuwen - 2003 - 302 páginas
...door bliksem getroffen te worden, slaat de positieve verwondering om in het unheimliche en vreselijke. When danger or pain press too nearly, they are incapable...modifications, they may be, and they are delightful [...] (Burke, aw, p. 36-37). Burke somt veel karakteristieken op die volgens hem het verheven object... | |
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