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" Angry that his prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And... "
The dramatic works of William Shakspeare, from the text of Johnson, Stevens ... - Página 503
por William Shakespeare - 1852
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 500 páginas
...sonnet 147 can only describe the maddeningly divided sensibility that his unregulated desire produces: "For I have sworn thee fair, and thought thee bright, / Who art as black as hell, as dark as night" (13-14).9 He is like the speaker of the final two sonnets (153 and 154), who is "sick" (153.11), "a...
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Being Consciousness Bliss: A Seeker's Guide

Astrid Fitzgerald - 2001 - 390 páginas
...Reason is past care, And frantic-mad with evermore unrest; My thoughts and my discourse as madmen's are, At random from the truth vainly express'd; For...bright, Who art as black as hell, as dark as night. — William Shakespeare Depart from the oblivion which fills you with darkness.... Wisdom calls you,...
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Shakespeare Survey, Volumen31

Kenneth Muir - 2002 - 260 páginas
...evermore unrest; My thoughts and my discourse as madmen's are, At random from the truth vainly expressed : For I have sworn thee fair, and thought thee bright, Who art as black as hell, as dark as night. With this transition the charge established by 144 and 146 is reversed and the 'solutions' of 146 made...
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The Mutual Flame: On Shakespeare's Sonnets and The Phoenix and the Turtle

G. Wilson Knight - 2002 - 256 páginas
...evermore unrest; My thoughts and my discourse as madmen's are, At random from the truth vainly express'dj For I have sworn thee fair and thought thee bright, Who art as black as hell, as dark as night. (147) There is nothing like this said with reference to the Fair Youth. Where such torment is there...
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Performing Blackness on English Stages, 1500-1800

Virginia Mason Vaughan - 2005 - 212 páginas
...cream-faced loon!" (Macbeth, 5.3.n). And in sonnet 147 the speaker compares the dark lady to Lucifer: "For I have sworn thee fair, and thought thee bright, / Who art as black as hell, as dark as night." Moral corruption, murder, rebellion and treason, sexual perversion — all manner of human vices were...
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Look Again in Baltimore

John R. Dorsey - 2005 - 236 páginas
...Why are light and white always associated with God and good, black and dark with evil and the devil? "For I have sworn thee fair, and thought thee bright, / Who art as black as hell, as dark as night" (Sonnet 147). Black magic, black devil, black dog, black thoughts — what racial overtones exist in...
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The Philosophy of Desire in the Buddhist Pali Canon

David Webster - 2005 - 296 páginas
...evermore unrest; My thoughts and discourse as mad men's are. At random from the truth vainly express 'd; For I have sworn thee fair, and thought thee bright. Who art as black as hell, as dark as night.50 In the light of discussions about Plato and the role of reason in relation to desire, I am...
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The Giant Book of Poetry

William Roetzheim - 2006 - 760 páginas
...evermore unrest; my thoughts and my discourse as madmen's are. at random from the truth vainly expressed; for I have sworn thee fair, and thought thee bright, who art as black as hell, as dark as night. Tomorrow, and Tomorrow, and Tomorrow2 Tomorrow, and tomorrow, and tomorrow creeps in this petty pace...
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Before Intimacy: Asocial Sexuality in Early Modern England

Daniel Juan Gil - 2006 - 206 páginas
...her with what are nevertheless said to be inflated or exaggerated compliments. Sonnet 147 ends with "For I have sworn thee fair, and thought thee bright, / Who art as black as hell, as dark as night." Sonnet 152 rewrites the concluding couplet of sonnet 147 to emphasize that he swears she is fair even...
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Shakespeare's Sonnets & Poems

William Shakespeare - 2011 - 706 páginas
...unrest, My thoughts and my discourse as madmen's are, At random from the truth vainly expressed. 12 For I have sworn thee fair, and thought thee bright, Who art as black as hell, as dark as night. The poet once again (as in ss. 113, 114, 137, and 141) questions his own eyesight. Here, he describes...
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