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" With a more riotous appetite. Down from the waist they are Centaurs, Though women all above : But to the girdle do the gods inherit, Beneath is all the fiends' ; there's hell, there's darkness, there is the sulphurous pit, burning, scalding, stench, consumption... "
Cymbeline - Página 382
por William Shakespeare - 1811
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Selected Poems

William Shakespeare - 1995 - 128 páginas
...minces virtue, and does shake the head To hear of pleasure's name. The fitchew nor the soiled horse goes to't With a more riotous appetite. Down from...the girdle do the gods inherit, Beneath is all the fiend's. There's hell, there's darkness, there is the sulphurous GLOUCESTER O, let me kiss that hand....
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Materialist Shakespeare: A History

Ivo Kamps - 1995 - 342 páginas
...primal male nausea at the thought of the female body, the nausea most fully articulated in King Lear: But to the girdle do the gods inherit, Beneath is...sulphurous pit, burning, scalding, Stench, consumption. Fie, fie, fie! pah, pah! Give me an ounce of civet; good apothecary, Sweeten my imagination. (IV. vi....
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Off with Her Head!: The Denial of Women's Identity in Myth, Religion, and ...

Howard Eilberg-Schwartz, Wendy Doniger, Wendy Doniger O'Flaherty - 1995 - 226 páginas
...goddesses from the waist up), and centaurs. The sexual symbolism of the centaur persists in Shakespeare: Down from the waist they are Centaurs, Though women...the girdle do the Gods inherit, Beneath is all the fiend's: there's hell, there's darkness, There is the sulphurous pit—burning scalding, Stench, consumption:...
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Drama Trauma: Specters of Race and Sexuality in Performance, Video, and Art

Assistant Professor of English Timothy Murray, Timothy Murray - 1997 - 305 páginas
...free-for-all in Act IV, anxiously reveals a similar figure as the repressed origin of all of his troubles: "Down from the waist they are Centaurs, / Though women...sulphurous pit, burning, scalding, / Stench, consumption. Fie, fie, fie! pah, pah!" (IV.vi. 124-29). n This extremely troubled, not to mention troubling, displacement...
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Pandemonium: Towards a Retro-Organization Theory

Gibson Burrell - 1997 - 244 páginas
...origins and encouragement of satyriasis. To hear of pleasure's name; The fitchew nor the soiled horse goes to't With a more riotous appetite. Down from...girdle do the Gods inherit, Beneath is all the fiends'. (King Leni- IV.vi. 124-30) an I-based eye which, for our purposes, stares back at what it sees. It...
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The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Volumen10

Marvin Rosenberg - 1997 - 365 páginas
...minces virtue, and does shake the head To hear of pleasure's name. The fitchew nor the soiled horse goes to't With a more riotous appetite. Down from...the girdle do the gods inherit. Beneath is all the fiend's. There's hell, there's darkness, there's the sulphurous pit; burning, scalding, stench, consumption....
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Drama and Ideology in Modern Israel

Glenda Abramson, Cowley Lecturer in Post-Biblical Hebrew Fellow in Modern Hebrew Literature Oxford Center for Postgraduate Hebrew Studies Glenda Abramson - 1998 - 265 páginas
...virtue, and does shake the head To hear of pleasure's name The fitchew nor the soiled horse goes to 't With a more riotous appetite. Down from the waist...is all the fiends'; There's hell, there's darkness, there's the sulphurous pit, Burning, scalding, stench, consumption; - fie fie fie! pah, pah! (Act IV,...
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Carnival and Culture: Sex, Symbol, and Status in Spain

David D. Gilmore - 1998 - 244 páginas
...and Down i. To take just one example, consider the King's misogynist soliloquy in King Lear (IV, vi): "Down from the waist they are centaurs / Though women...the girdle do the gods inherit, / Beneath is all the fiend's; there's hell, there's darkness, / There is the sulphurous pit." "Belowness" symbolized not...
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Landmark Essays on Rhetoric and Literature

Craig Kallendorf - 1999 - 253 páginas
...and the Figures of Speech by Craig Kallendorf "He apprehends a world of figures here." (IHenI¥lm209) "Down from the waist they are Centaurs, Though women...the girdle do the Gods inherit, Beneath is all the fiend's." (KL IV.vi. 123-26) Madeleine Doran has observed that "English Renaissance drama is rhetorical...
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Splitting the Difference: Gender and Myth in Ancient Greece and India

Mircea Eliade Distinguished Service Professor of the History of Religions Wendy Doniger, Wendy Doniger, Wendy Doniger O'Flaherty - 1999 - 376 páginas
...sexuality through the image of a female centaur conceived in terms strongly reminiscent of Scylla: Down from the waist they are Centaurs, / Though women...the girdle do the Gods inherit, / Beneath is all the fiend's: there's hell, there's darkness, / There is the sulphurous pit — burning scalding, / Stench,...
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