| Samuel Johnson - 1908 - 256 páginas
...works, deserves more consideration. Let the fact be first stated, and then examined. Shakespeare's plays are not in the rigorous and\ critical sense either tragedies or comedies, but^pmpositions of a jjstinct kind ; exhibiting the real state of sublunary nature, which partakes... | |
| Samuel Taylor Coleridge - 1920 - 388 páginas
...Shakespearean or "mingled" drama against the critics who demanded unity of kind and action: "Shakespeare's plays are not in the rigorous and critical sense either...the world, in which the loss of one is the gain of jinother; in which, at the same time, the reveller is hasting to his wine, and the mourner burying... | |
| Vassilis Lambropoulos, David Neal Miller - 1987 - 552 páginas
...censure Shakespeare for mixing his comic and tragic scenes. Shakespeare's plays, Johnson says, exhibit 'the real state of sublunary nature, which partakes...evil, joy and sorrow, mingled with endless variety.' In addition, 'the mingled drama may convey all the instruction of tragedy or comedy' by approaching... | |
| David Richman - 1990 - 212 páginas
...and nature is tragicomic. Johnson's pronouncement is that Shakespeare writes neither tragedies nor comedies, .... but compositions of a distinct kind...nature, which partakes of good and evil, joy and sorrow, in which at the same time, the reveler is hasting to his wine and the mourner burying his friend; in... | |
| Ian Small, Marcus Walsh - 1991 - 238 páginas
...the 1881 Stratford production. Many of us would concur in Dr Johnson's opinion that 'Shakespeare's plays are not in the rigorous and critical sense either...or comedies, but compositions of a distinct kind', accurately reflecting 'the real state of sublunary nature' with its 'chaos of mingled purposes and... | |
| Marvin A. Carlson - 1993 - 564 páginas
...nature," at which Shakespeare is unsurpassed.76 In mixing comic and serious elements, Shakespeare exhibits "the real state of sublunary nature, which partakes...proportion and innumerable modes of combination." Admittedly, this is contrary to traditional rules, "but there is always an appeal open from criticism... | |
| Joseph F. Bartolomeo - 1994 - 228 páginas
...vice and virtue, which distinguish one character from another," 127 just as he admires Shakespeare for exhibiting "the real state of sublunary nature, which...proportion and innumerable modes of combination." 128 Prince Hal, "whose virtues are obscured by negligence, and whose understanding is dissipated by... | |
| Brian Vickers - 1995 - 585 páginas
...works, deserves more consideration. Let the fact be first stated, and then examined. Shakespeare's plays are not in the rigorous and critical sense either...tragedies or comedies, but compositions of a distinct kind;7 exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow,... | |
| Greg Clingham - 1997 - 290 páginas
...plays. The relevant passage from the Preface contains the following famous statement: "Shakespeare's plays are not in the rigorous and critical sense either...combination; and expressing the course of the world" (p. 66). Johnson does not develop a theory for the notion that Shakespeare's plays are "compositions... | |
| Robert S. Miola - 1997 - 600 páginas
...the 1881 Stratford production. Many of us would concur in Dr. Johnson's opinion that "Shakespeare's plays are not in the rigorous and critical sense either...or comedies, but compositions of a distinct kind," accurately reflecting "the real state of sublunary nature" with its "chaos of mingled purposes and... | |
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