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" ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination... "
The Works of Samuel Johnson, L.L.D. - Página 135
por Samuel Johnson - 1809
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Johnson on Shakespeare

Samuel Johnson - 1908 - 256 páginas
...works, deserves more consideration. Let the fact be first stated, and then examined. Shakespeare's plays are not in the rigorous and\ critical sense either tragedies or comedies, but^pmpositions of a jjstinct kind ; exhibiting the real state of sublunary nature, which partakes...
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Coleridge, Biographia Literaria: Chapters I-IV, XIV-XXII. Wordsworth ...

Samuel Taylor Coleridge - 1920 - 388 páginas
...Shakespearean or "mingled" drama against the critics who demanded unity of kind and action: "Shakespeare's plays are not in the rigorous and critical sense either...the world, in which the loss of one is the gain of jinother; in which, at the same time, the reveller is hasting to his wine, and the mourner burying...
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Twentieth-Century Literary Theory: An Introductory Anthology

Vassilis Lambropoulos, David Neal Miller - 1987 - 552 páginas
...censure Shakespeare for mixing his comic and tragic scenes. Shakespeare's plays, Johnson says, exhibit 'the real state of sublunary nature, which partakes...evil, joy and sorrow, mingled with endless variety.' In addition, 'the mingled drama may convey all the instruction of tragedy or comedy' by approaching...
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Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ...

David Richman - 1990 - 212 páginas
...and nature is tragicomic. Johnson's pronouncement is that Shakespeare writes neither tragedies nor comedies, .... but compositions of a distinct kind...nature, which partakes of good and evil, joy and sorrow, in which at the same time, the reveler is hasting to his wine and the mourner burying his friend; in...
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The Theory and Practice of Text-Editing: Essays in Honour of James T. Boulton

Ian Small, Marcus Walsh - 1991 - 238 páginas
...the 1881 Stratford production. Many of us would concur in Dr Johnson's opinion that 'Shakespeare's plays are not in the rigorous and critical sense either...or comedies, but compositions of a distinct kind', accurately reflecting 'the real state of sublunary nature' with its 'chaos of mingled purposes and...
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Theories of the Theatre: A Historical and Critical Survey from the Greeks to ...

Marvin A. Carlson - 1993 - 564 páginas
...nature," at which Shakespeare is unsurpassed.76 In mixing comic and serious elements, Shakespeare exhibits "the real state of sublunary nature, which partakes...proportion and innumerable modes of combination." Admittedly, this is contrary to traditional rules, "but there is always an appeal open from criticism...
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A New Species of Criticism: Eighteenth-century Discourse on the Novel

Joseph F. Bartolomeo - 1994 - 228 páginas
...vice and virtue, which distinguish one character from another," 127 just as he admires Shakespeare for exhibiting "the real state of sublunary nature, which...proportion and innumerable modes of combination." 128 Prince Hal, "whose virtues are obscured by negligence, and whose understanding is dissipated by...
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William Shakespeare: The Critical Heritage, Volumen5

Brian Vickers - 1995 - 585 páginas
...works, deserves more consideration. Let the fact be first stated, and then examined. Shakespeare's plays are not in the rigorous and critical sense either...tragedies or comedies, but compositions of a distinct kind;7 exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow,...
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The Cambridge Companion to Samuel Johnson

Greg Clingham - 1997 - 290 páginas
...plays. The relevant passage from the Preface contains the following famous statement: "Shakespeare's plays are not in the rigorous and critical sense either...combination; and expressing the course of the world" (p. 66). Johnson does not develop a theory for the notion that Shakespeare's plays are "compositions...
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The Comedy of Errors: Critical Essays

Robert S. Miola - 1997 - 600 páginas
...the 1881 Stratford production. Many of us would concur in Dr. Johnson's opinion that "Shakespeare's plays are not in the rigorous and critical sense either...or comedies, but compositions of a distinct kind," accurately reflecting "the real state of sublunary nature" with its "chaos of mingled purposes and...
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