...— to overpower and reconcile the first and obvious prejudices." What we see upon a btage is body and bodily action ; what we are conscious of in reading...reflection to perceive, that if those characters in Shakspere which are within the precincts of nature, have yet something in them which appeals too exclusively...

...reading, it should also not offend us in the seeing, is just such What we see upon a stage is body and bodily \ action ; what we are conscious of in...same play so often affects us in the reading and the Lseeing. It requires little reflection to perceive, that if those characters in Shakspeare which are...

...reading, it should also not offend us in the seeing, is just such What we see upon a stage is body and bodily action ; what we are conscious of In reading...very different sort of delight with which the same f play so often affects us in the reading and the seeing. It requires little reflection to perceive,...

...themselves feel this, as is apparent by the I 236 ON THE TRAGEDIES OF SHAKSPERE. see upon a stage is body and bodily action ; what we are conscious of in reading...the very different sort of delight with which the eame play BO often affects us in the reading and the seeing. It requires little reflection to perceive,...

...unseen, — to overpower and reconcile the first and obvkms prejudices. What we see upon a stage is body and bodily action ; what we are conscious of in reading...so often affects us in the reading and the seeing. [Foot-note] : The error of supposing that because Othello's colour does not offend us in the reading,...

...unseen, — to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of in reading...so often affects us in the reading and the seeing. [Foot-note] : The error of supposing that because Othello's colour does not offend us in the reading,...

...unseen, — to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action ; what we are conscious of in reading...the very different sort of delight with which the came play so often affects us in the reading and the seeing. [Foot-note] : The error of supposing that...

...unseen,—to overpower and reconcile the first and obvious prejudices. i What we see upon a stage is body and bodily action; what we are conscious of in reading...reflection to perceive, that if those characters in Shakspere which are within the precincts of nature, have yet something in them which appeals too exclusively...

...recourse to, to make them look not quite naked, — by a sort of prophetic anachronism stage is body and bodily action ; what we are conscious of in reading...think, may sufficiently account for the very different" 'soft of~ delight with which the same play" so often affects m- in tbe reading and the seeing. It requires...

...when we see a man and his wife without clothes in the picture. The painters themupon a stage is body and bodily action; what we are conscious of in reading...reflection to perceive, that if those characters in Shakespeare which are within the precincts of nature have yet something in them which appeals too exclusively...