 | Ian Balfour - 2002 - 372 páginas
...invoked via the language of prophecy, the imagination relies no less on a ventriloquism of the divine: The IMAGINATION then I consider either as primary or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind... | |
 | Richard Eldridge - 2003 - 300 páginas
...past elements of experience in a momentary act. Imagination, according to Coleridge, is different. The imagination then I consider either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of 58 ibid., p. 76. all human perception, and as a representation... | |
 | Paul Youngquist - 2003 - 316 páginas
...peculiar statement, since to define this creative faculty Coleridge immediately divides it in two: The Imagination, then, I consider either as primary, or secondary. The primary Imagination I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind... | |
 | Werner Beierwaltes, Jean-Marc Narbonne, Alfons Reckermann - 2004 - 608 páginas
...187. Coleridge produced the most famous definition of the Imagination in the Engish speaking world. The IMAGINATION then I consider either as primary, or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind... | |
 | Richard J. Bernstein - 2004 - 404 páginas
...priority of attributive statements (prayerful Thou-saying) to a primordial identity statement (I-saying) : The Imagination, then, I consider either as primary or secondary. The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind... | |
 | Paul Dawson - 2005 - 268 páginas
...modifying power' (160). This helps us to understand Coleridge's notorious definition of imagination: The imagination then I consider either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind... | |
 | Gesa Elsbeth Thiessen - 2005 - 424 páginas
...nature of perception had considerable influence on nineteenth-century literary and religious thought. The imagination then I consider either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind... | |
 | Patricia Waugh - 2006 - 632 páginas
...aesthetics such as Alexander Gerard and Edward Young in order to synthesize them in his own inimitable way: The imagination then I consider either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind... | |
 | Jill Line - 2006 - 196 páginas
...Platonist and a Shakespearean critic, wrote these definitions of the imagination of God and man, and fancy: The IMAGINATION then I consider either as primary or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind... | |
 | Colin Jager - 2007 - 304 páginas
...figure we can name the "romantic Coleridge," author of these famous lines from the Biogmphia Literaria: The IMAGINATION then I consider either as primary, or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind... | |
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The IMAGINATION, then, I consider either as primary or secondary. The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. 
