...heaven art free Once more. Thy wife dies thus embracing thee.1 '[Heywood's Works, ed. Pearson.] Heywood is a sort of prose Shakspeare. His scenes are to the full as natural and affecting. But we miss the Pott, that which in Shakspeare always appears out and above the surface of the nature. Heywood's characters,...

...of the noble Cripple. 10 A Woman Killed with Kindness. — Hey wood is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the poet, that which in Shakespeare always appears out and above the surface of the nature. Heywood's characters in this play,...

...phrase, Lamb speaks of him as ' a sort of prose Shakespeare,' making his meaning clear by adding : ' his scenes are to the full as natural and affecting. But we miss the Poet, that which in Shakespeare always appears out and above the. surface of the jra/w^j^Thkugh perhaps a less enthusiastic...

...Characters of the Elizabethan Dramatists,' Lamb says of Hey wood that 'he is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the poet — that which in Shakespeare always appears out and above the surface of nature.' Here again we have light on the paradox....

...(p. 151): 'Heywood, ' says Charles Lamb, in a much-quoted passage, ' is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the Poet, that which in Shakespeare always appears out and above the surface of the nature.' Is it too bold to query whether...

...— HENSLOWE, PHILIP, 1602, Dairy, ed. Collier, pp. 249, 250. Heywood is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the poet, that which in Shakespeare always appears out and above the surface of the nature. Heywood's characters in this play,...

...and passion beyond the dreams of old mythology. THOMAS HEYWOOD A Woman Killed with Kindness. Heywood is a sort of prose Shakspeare. His scenes are to the...in this play, for instance, his country gentlemen, etc. are exactly what we see, but of the best kind of what we see, in life. Shakspeare makes us believe,...

...not irrelevant here to note Lamb's remarks on Heywood's style. " He is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the poet, that which in Shakespeare always appears out and above the surface of nature." The truth is that this jl^ elemental...

...Characters of the Elizabethan Dramatists,' Lamb says of Heywood that 'he is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the poet — that which in Shakespeare always appears out and above the surface of nature.' Here again we have light on the paradox....

...(p. 151): 'Heywood,' says Charles Lamb, in a much-quoted passage, 'is a sort of prose Shakespeare. His scenes are to the full as natural and affecting. But we miss the Poet, that which in Shakespeare always appears out and above the surface of the nature.1 Is it too bold to query whether...