...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts nor is meant to...

...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, 1 If there are any of that description, they are in his Strolling Players, a...

...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...beauty which belonged to him as a poet, so often and so gladlv introduces as the central figure in a crowd of humorous deformities, 1 If there are any of that...

...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...Hogarth, in whom the satirist never extinguished that Imie of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure...

...drew a more ludicrous distortion, both of attitude and physiognomy, than this effect 30 occasioned : nor was there wanting beside it one of those beautiful...as a poet, so often and so gladly introduces as the 1 The Friend, No. XVI. central figure in a crowd of humorous deformities, which figure (such is the...

...more ludicrous distortion both of attitude and physiognomy, than this effort occasioned : nor was 35 there wanting beside it one of those beautiful female...and so gladly introduces, as the central figure in 5 a crowd of humorous deformities, which figure (such is the power of true genius !) neither acts,...

...whether to admire a passage for its pictorial or its dramatic qualities." — Sir Walter Armstrong. "The satirist never extinguished that love of beauty which belonged to him as a poet." — Charles Lamb. "Everything in his pictures has life and motion in it." — William Hazlitt. "English...

...never drew a more ludicrous distortion both of attitude and physiognomy, than this effort occasioned: 1 nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satyrist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly...

...drum in the centre of the print of Southwark Fair. Coleridge speaks of those beautiful faces which Hogarth, " in whom the satirist never extinguished...of beauty which belonged to him as a poet, so often introduces as the central figure in a crowd of humorous deformities, which figure (such is the power...

...reputation.* * Coleridge speaks of the "beautiful female faces" in Hogarth's pictures, "in whom," he says, "the satirist never extinguished that love of beauty which belonged to him as a poet." — The Friend. 74.21 His art is quite simple,* * "I was pleased with the reply of a gentleman, who,...