| Charles Lamb - 1855 - 798 páginas
...* The Friend, No• XVI. distortion both of attitude and physiognomy than this effect occasioned : nor was there wanting beside it one of those beautiful...satirist never extinguished that love of beauty which belongeif to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous... | |
| Abel Stevens, James Floy - 1855 - 586 páginas
...picture would alone " unvulgarize" every subject he might choose ; and the refined Coleridge exclaims, " Hogarth ! in whom the satirist never extinguished...that love of beauty which belonged to him as a poet." There is something inexpressibly tender and touching in this memento of his affection for a little... | |
| Henry Reed - 1855 - 404 páginas
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet;" and who so used his genius as to "prevent the instinctive merriment at the whims of nature, or the... | |
| Henry Reed - 1855 - 416 páginas
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet;" and who so used his genius as to "prevent the instinctive merriment at the whims of nature, or the... | |
| Charles Lamb - 1856 - 408 páginas
...disgusted. t The Friend, No, XVI. distortion both of attitude and physiognomy than this effect occasioned : nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts nor is meant to... | |
| Charles Lamb - 1856 - 440 páginas
...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts nor is meant to... | |
| Henry Reed - 1857 - 242 páginas
...capacity for the enjoyment of beauty : while the best critics on his works applauded him as an artist "in whom the satirist never extinguished that love of beauty which belonged to him as a poet ;" and who so used his genius as to " prevent the instinctive merriment at the whims of nature, or... | |
| Samuel Taylor Coleridge - 1864 - 770 páginas
...never drew a more ludicrous distortion both of attitude and physiognomy, than this effort occasioned : nor was there wanting beside it one of those beautiful...gladly introduces, as the central figure, in a crowd of humorous deformities, which figure (such is the power of true genius !) neither acU, nor is meant to... | |
| Samuel Taylor Coleridge - 1864 - 772 páginas
...ncv^r drew a more ludierous distortion both of attitude and physiognomy, than this effort occasioned : nor was there wanting beside it one of those beautiful...so gladly introduces, as the central figure, in a erowd of humorous deformities, which figure (such is the power of true genius !) neither acts, nor... | |
| William Makepeace Thackeray - 1909 - 882 páginas
...1 Coleridge speaks of the ' beautiful female faces ' in Hogarth's pictures, ' in whom,' he says, ' the satirist never extinguished that love of beauty which belonged to him as a poet.' — The Friend. 2 ' I was pleased with the reply of a gentleman, who, being asked which book he esteemed... | |
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