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" I'll devil-porter it no further: I had thought to have let in some of all professions, that go the primrose way to the everlasting bonfire. "
Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists ... - Página 249
por Samuel Taylor Coleridge - 1849
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Shakespeare: la invención de lo humano

Harold Bloom - 2001 - 750 páginas
...Never at quietl What are you-But this place is too cold for Hell. I1I devil-porter it no further: I had thought to have let in some of all professions, that go the primrose way to th' everlasting bonfire. (Knocking.) Anon, anon. I pray yon, remember the Porter.[H.iii.1-22] en los contrastes prolépticos...
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In America: A Novel

Susan Sontag - 2001 - 402 páginas
...only after some dispute with the surly porter — she could hear the din from the greenroom. "/ had thought to have let in some of all professions that go the primrose way to th' everlasting bonfire," Maryna recited companionably. "But let us hope our Mr. Cant does not." Seeing Glenwood's blank expression,...
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Macbeth and the Rebels' Plot

John O'Connor - 2001 - 112 páginas
...quiet! What are you? But this place is too cold for hell. I'll devil-porter it no 50 further: I had thought to have let in some of all professions, that go the primrose way to th'everlasting bonfire. (Knocking.) Anon, anon! I pray you, remember the porter. (Opens the gate.)...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen57

1984 - 476 páginas
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Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre Playscripts

Orson Welles - 2001 - 342 páginas
...horns.) (assuming a false voice) Who's there, i' th' name of Beelzebub? (aside, in his own voice) I'll let in some of all professions, that go the primrose way to th' everlasting bonfire . Macbeth 57 f More knocking.) You'll sweat for't. (Knocking.) Who's there, i' th' other devil's name?...
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Berryman's Shakespeare: Essays, Letters and Other Writings

John Berryman - 2001 - 484 páginas
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Metaphors Dictionary

Dorrie Weiss - 2001 - 680 páginas
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Macbeth

William Shakespeare - 2002 - 260 páginas
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Rumpole and the Primrose Path

John Mortimer - 2002 - 232 páginas
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Playing the Audience: The Practical Actor's Guide to Live Performance

James B. Nicola - 2002 - 276 páginas
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