 | David Hirson - 2001 - 372 páginas
...forth So great an object: can this cockpit hold The vasty fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt?" Maurice spreads his hands wide to the Audience. MAURICE Salvel Welcome, friends and family, to the... | |
 | Orson Welles - 2001 - 342 páginas
...forth So great an object. Can this cockpit hold The vasty fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million, And let us, ciphers to this... | |
 | David Hirson - 2001 - 148 páginas
...forth So great an object: can this cockpit hold The vasty fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt?" (Wilha "hmm?"lothelefianda "Ivnm?" to the right, MAURICE lauglis and spreads his hands wide to the... | |
 | William Shakespeare - 2001 - 272 páginas
...forth So great an object. Can this cockpit hold The vasty fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O pardon, since a crooked figure may Attest in little place a million, And let us, ciphers to this... | |
 | George Wilson Knight - 1958 - 336 páginas
...forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? (i. Chorus) Twice only throughout his work Shakespeare apologizes for the insufficiency of his art:... | |
 | Graham Holderness - 2002 - 220 páginas
...forth So great an object: can this cockpit hold The vastly fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt? Olivier came to the play equipped with all the formidable tech-nology for portraying reality developed... | |
 | Graham Holderness - 2002 - 220 páginas
...forth So great an object: can this cockpit hold The vastly fields of France? Or may we cram Within this wooden O the very casques That did affright the air at Agincourt? Olivier came to the play equipped with all the formidable technology for portraying reality developed... | |
 | Kathryn Stout - 2002 - 335 páginas
...impossible to show an actual battlefield on a wooden stage. He then asks, "or may we cram, / Within this wooden O, the very casques, / That did affright the air at Agincourt?" (The "wooden O" refers to Shakespeare's Globe Theater, a round building constructed of wood. "Casques"... | |
 | Graham Holderness - 2003 - 332 páginas
...forth So great an object. Can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt! (Craik, Henry V, p. 120). At one level a mere technical apology for the limitations of the contemporary... | |
 | Richmond Tyler Barbour - 2003 - 274 páginas
...concentrations of the whole. The prologue to Henry V begs pardon for presuming to "cram / Within this wooden O the very casques / That did affright the air at Agincourt" (12-14), only to enlist spectators in the effort: "Suppose within the girdle of these walls / Are now... | |
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On this unworthy scaffold to bring forth So great an object : can this cockpit hold The vasty fields of France ? or may we cram Within this wooden O the very casques That did affright the air at Agincourt... 
