...after, why all this pudder and preparation — why torment us with all this unnecessary sympathy ? As if the childish pleasure of getting his gilt robes...and with his experience, anything was left but to die."i N Four things have struck us in reading ' Lear :' ] 1. That poetry is an interesting study,...

...burden after, why all this pudder and preparation, why torment us with all this unnecessary sympathy ? As if the childish pleasure of getting his gilt robes...to die ! ' Lear ' is essentially impossible to be represented"6ti a stage. But how many dramatic per,'sohages are there in Shakspeare which, though more...

...is to live and be happy after, if he could sustain this world's burden after, why all this puclder and preparation, — why torment us with all this...stage. But how many dramatic personages are there in Shakspere, which though more tractable and feasible (if I may so speak) than Lear, yet from some circumstance,...

...burden after, why all this pudder and preparation — why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes...with his experience, anything was left but to die. From the Essays of Elia : on Some of the Old Actors. Malvolio is not essentially ludicrous. He becomes...

...burden after, why all this pudder and preparation— why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes...with his experience, anything was left but to die. From the Essays of Elia : on Some of the Old Actors. Malvolio is not essentially ludicrous. He becomes...

...burden after, why all this pudder and preparation,—why torment us with all this unnecessary sympathy ? As if the childish pleasure of getting his gilt robes...again could tempt him to act over again his misused station,—as if at his years, and with his experience, anything was left but to die. Lear is essentially...

...with all this unnecessary sympathy ? as if the childish pleasure of getting his gilt robes and scpptre again could tempt him to act over again his misused station — as if. at his vears, and with his experience, anything was left but to die. No passage in Lamb's writings is better...

...burden after, why all this pudder and preparation ? why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes...with his experience, anything was left but to die. ' Tate also cut out of his adaptation of Shakespeare's tragedy the character of the Fool, which was...

...burden after, why all this pudder and preparation,—why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes...again could tempt him to act over again his misused station,—as if, at his years and with his experience, anything was left but to die.'" * L1ST OK CHARACTERS...

...after, why all this pudder and preparation, — why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes...with his experience, anything was left but to die. CHARLES LAMB. DRAMATIS PERSONAL LEAR, ting of Britain. KING OF FKANCE. DUKE OF BURGUNDY. DUKE OF CORNWALL....