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" The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - Página 172
por Samuel Taylor Coleridge - 1834 - 351 páginas
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Samuel Taylor Coleridge

Hugh I'Anson Fausset - 1926 - 366 páginas
...between Imagination and Fancy as between an originating and a merely organizing faculty. Imagination was 'the living power and prime agent of all human perception,...the eternal act of creation in the infinite I AM.' It was an exceptionally vital, individual force which, working on multitudinous experience, passively...
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The Monthly Criterion, Volumen5

Thomas Stearns Eliot - 1927 - 408 páginas
...Others have reached it in quite different ways. Coleridge's critical theory may be judged by its fruits. power and prime agent of all human perception, and...finite mind of the eternal act of creation in the infinite / AM. The secondary Imagination I consider as an echo of the former . . .' ' Essence, in its...
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University of Illinois Studies in Language and Literature

1927 - 612 páginas
...characterization of the power as "e'uson in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite i AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and...
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El Bernardo of Bernardo de Balbuena: A Study of the Poem with ..., Temas1-4

John Van Horne - 1927 - 706 páginas
...characterization of the power as 'reason in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite I AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and...
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English Prose Style

Herbert Read, Sir Herbert Edward Read - 1928 - 262 páginas
...to say the least of it (and the best), is no longer in fashion. Imagination is considered as either primary or secondary. The primary Imagination I hold...act of creation in the infinite I AM. The secondary Imagination J consider as an echo of the former, co-existing with the conscious will, yet still as...
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Principles of Literary Criticism

Ivor Armstrong Richards - 1928 - 316 páginas
...the absence of what would otherwise be 41 Biographia Literaria, Ch. XIII. "The primary IMAGINATION 1 hold to be the living Power and prime Agent of all human perception, and as a repettfteri in the finite mind of the eternal act of creation in the infinity! AM. The luminous hints...
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The Atlantic Monthly, Volumen76

1895 - 954 páginas
...great chapter which was to have been written is reduced to these few words, without further comment : " The primary imagination I hold to be the living power...act of creation in the infinite I Am. The secondary imagination I consider as an echo of the former, coexisting with the conscious will, yet as still identical...
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The Atlantic Monthly, Volumen76

1895 - 896 páginas
...great chapter which was to have been written is reduced to these few words, without further comment : " The primary imagination I hold to be the living power...act of creation in the infinite I Am. The secondary imagination I consider as an echo of the former, coexisting with the conscious will, yet as still identical...
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University of Illinois Studies in Language and Literature

1927 - 608 páginas
...characterization of the power as 'reason in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite I AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and...
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Encyclopedia of the Romantic Era, 1760-1850, Volumen2

Christopher John Murray - 2004 - 664 páginas
...fascination with the inexplicable, and in chapter 13 of his Biographia Literaria (1817) he exalts imagination as "a repetition in the finite mind of the eternal act of creation in the infinite I AM." Plato's concept of the ideal is evident here: the artist's task is to lift the mask that the senses...
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