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Libros Libros 81 - 90 de 98 sobre Mary the utmost beauty of countenance and elegance of shape of which the human form...
" Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey,... "
The Monthly Review, Or, Literary Journal - Página 200
por Ralph Griffiths, G. E. Griffiths - 1759
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Moffatt's explanatory readers. Primer 1,2; standard 4-6. [With] Home lesson book

Moffatt and Paige - 1880
...6contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according te the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes...
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An Historical Reader for the Use of Classes in Academies, High Schools, and ...

Henry Elliot Shepherd - 1881 - 345 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark...
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British Classical Authors. Select Specimens of the National Literature of ...

Ludwig Herrig - 1885
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape s and blackest Midnight bon In Stygian cave forlorn, (1) Scorched or scorching. fashion of the age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark...
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The Historical Reader: Embracing Selections from Standard Writers of Ancient ...

John Jacob Anderson - 1885 - 544 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were of...
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Fotheringhay and Mary, queen of Scots, by Cuthbert Bede

Rev. Edward Bradley - 1886
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though according to the fashion of that age she frequently wore borrowed locks, and of different colours. Her eyes were a dark...
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Historical Readings for the Use of Teachers' Reading Circles

Henry Elliot Shepherd - 1893 - 424 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark...
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Gems of Genius in Poetry and Art: From the Kings and Queens of Thought : and ...

Frederick Saunders, Minnie K. Davis - 1888 - 743 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though according to the fashion of that age she frequently wore borrowed locks, and of different colours. Her eyes were a dark...
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Gramática de la lengua inglesa: con ejercicios de versión

Luigi Pavía - 1901 - 440 páginas
...contem'porary authors agree in ascribing to Mary the utmost beauty of countenance7, and elegance of shape8, of which the human form is capable. Her hair was black; though, according to the fashion of the age, she fre'quently wore borrowed locks9, and of different colours. Her eyes were a...
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Chambers's Cyclopaedia of English Literature: A History Critical and ...

Robert Chambers - 1902
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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Chamber's Cyclopædia of English Literature, Volumen2

Robert Chambers - 1902
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegante of shape, g eye requires ; E'en from the tomb the voice of Nature cries, E'en in our ashes fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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