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Libros Libros 51 - 60 de 98 sobre Mary the utmost beauty of countenance and elegance of shape of which the human form...
" Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a dark grey,... "
The Monthly Review, Or, Literary Journal - Página 200
por Ralph Griffiths, G. E. Griffiths - 1759
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The Young Lady's Book of Elegant Prose: Comprising Selections from the Works ...

Author of The young man's own book - 1836 - 320 páginas
...contemporary authors agrce in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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pt. I. From the rise of the modern kingdoms to the peace of Westphalia, in 1648

William Russell - 1839
...contemporary authors agree in ascribing lo Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black : though, according to the fashion of the times, site frequently wore burrowed locks, and of different colours. Her eyes were...
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Cyclopædia of English Literature: A History, Critical and ..., Volumen2

Robert Chambers - 1844
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape ose arts by which friendship may be gained. Kindness is preserved by a constant fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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The History of Scotland During the Reigns of Queen Mary and of King James VI ...

William Robertson - 1844 - 460 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance ot shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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Cyclopædia of English Literature: A History, Critical and ..., Volumen2

Robert Chambers - 1844
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape ere, by his fire, The hermit sits alone. Though absent long, These forms of beau fashion of that nge, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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The rhetorical reader, consisting of choice specimens of oratorical ...

John Hall Hindmarsh - 1845 - 80 páginas
...contemporary a'uthors agre'e/ in ascrTbing to M'ary the utmost be'auty of countenance and ele'gance of sh'ape of which the human fo'rm/ is ca'pable. Her h'air was bla'ck, tho'ugh (according to the fashion of that a'ge) she frequently wore borrowed lo'cks, and of different co'lours. Her ey'es/ were...
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Class Book of Prose: Consisting of Selections from Distinguished English and ...

John Seely Hart - 1845 - 372 páginas
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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The Art of Elocution: From the Simple Articulation of the Elemental Sounds ...

George Vanderhoff - 1846 - 383 páginas
...had attained much nearer to pure virtue. Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black ; though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark...
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The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ...

George Vandenhoff - 1847 - 383 páginas
...contemporary authors agree in ascribing to K" Mary the utmost beauty of countenance and elegance of shape of which the human form is capable. Her hair was black ; though, according to the fashion of that age, she frequently wore borrowed locks, and of different colors. Her eyes were a dark...
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The literary class book; or, Readings in English literature

Robert Joseph Sullivan - 1850
...contemporary authors agree in ascribing to Mary the utmost beauty of countenance, and elegance of shape, of which the human form is capable. Her hair was black, though, according to the fashion of that age, she frequently wore borrowed locks, and of different colours. Her eyes were a...
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