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" Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter... "
The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections ... - Página 220
por William Shakespeare - 1793
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The Complete Works of William Shakespeare: Comprising His Plays, and Poems ...

William Shakespeare - 1882 - 996 páginas
...feel the highest pleasure tnat the drama can give, read every play from the first scene to the last, { / { / / stoop at correction or I explanation. When his attention is strongly engageo ! let it disdain alike...
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The Contemporary Review, Volumen47

1885 - 932 páginas
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Shakespeare's Tragedy of Hamlet: Prince of Denmark

William Shakespeare - 1885 - 248 páginas
...feel the greatest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, "let it not stoop at correction or explanation. Let him read on through brightness and obscurity, through integrity...
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Tragedy of Hamlet, Prince of Denmark

William Shakespeare - 1885 - 248 páginas
...feel the greatest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. Let him read on through brightness and obscurity, through integrity...
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Shakespeariana, Volumen3

1886 - 680 páginas
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Shakespeariana: -a Critical And Contemporary Review Of Shakespearian Literature

1886 - 626 páginas
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, •with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Obiter Dicta ...: Milton. Pope. Johnson. Burke. The muse of history. Charles ...

Augustine Birrell - 1887 - 314 páginas
...feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it- not stoop at correction or explanation. When his attention is strongly engaged, let it disdain alike to...
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Obiter Dicta, Second Series

Augustine Birrell - 1887 - 312 páginas
...feel the highest pleasure 'that the drama can give, read every play 'from the first scene to the last, with utter ' negligence of all his commentators. When 'his fancy is once on the wing, let it not 'stoop at correction or explanation. ' When 'his attention is strongly engaged, let it dis'dain alike...
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Wit and Wisdom of Samuel Johnson

Samuel Johnson, George Birkbeck Norman Hill - 1888 - 356 páginas
...feel the highest pleasure that the drama can give, read every play, from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing let it not stoop at correction or explanation. When his attention is strongly engaged let it disdain alike to...
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West Indian Quarterly, Volumen3

1887 - 456 páginas
...the drama can give, read each play, from the first scene to the last, with utter negligence of all commentators. When his fancy is once on the wing, let it not stoop to correction or explanation. Let him read on through brightness and obscurity ; and only when...
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