 | René Louis Huchon - 1907 - 330 páginas
...Cleopatra^ for instance, does the spectator really "imagine himself at Alexandria"? does he believe "that his walk to the theatre has been a voyage to Egypt"? If a London stage stands for Alexandria, why should it not stand for Rome also? "Delusion, if delusion... | |
 | Samuel Johnson - 1908 - 254 páginas
...Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | Charles Frederick Johnson - 1909 - 418 páginas
...Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really believes himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage .at one time for the palace of the Ptolemies, may take it in half an hour for the promontory... | |
 | Doris Gunnell - 1909 - 346 páginas
...la seSTENDHAL ET L ANGLETERRE poses that when the play opens the spectator really imagines himself at Alexandria and believes that his walk to the theatre has been a voyage to Egypt, and that he livesin the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can... | |
 | William Caxton, Jean Calvin, Nicolaus Copernicus, Francis Bacon, Edmund Spenser, Sir Walter Raleigh, Isaac Newton, Henry Fielding, Samuel Johnson, Johann Wolfgang von Goethe, William Wordsworth, Walt Whitman - 1910 - 458 páginas
...Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | Raymond Macdonald Alden - 1911 - 754 páginas
...Alexandria, and the next at Rome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | Raymond Macdonald Alden - 1911 - 752 páginas
...Alexandria, and the next at Rome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | Raymond Macdonald Alden - 1911 - 744 páginas
...Alexandria, and the next at Rome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | 1909 - 498 páginas
...Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre...imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of... | |
 | René Wellek - 1981 - 378 páginas
...play opens, the spectator really imagines himself at Alexandria, and believes his walk to the theater has been a voyage to Egypt, and that he lives in the...Cleopatra. Surely he that imagines this may imagine more. . . . The truth is, that the spectators are always in their senses, and know, from the first act to... | |
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The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage... 
