 | Jeffrey Masten, Wendy Wall - 2003 - 264 páginas
...arrival at Cydnus, Enobarbus claims that the city's rush to view her on the barge left behind only air, "which, but for vacancy / Had gone to gaze on Cleopatra too, / And made a gap in nature" (2.2.216-18). Antony is hardly immune to her magnetic pull: in a disconcerting reversal of roles, she... | |
 | Michele Marrapodi - 2004 - 292 páginas
...Her people out upon her; and Antony, Enthroned i'th'market-place, did sit alone, Whistling to th'air, which, but for vacancy, Had gone to gaze on Cleopatra, too, And made a gap in nature. (2.2.216-28) There is close indebtedness here, but the divergences are, for present purposes, more... | |
 | Andreas Höfele, Werner von Koppenfels - 2005 - 312 páginas
...move the air itself as in Enobarbus's description of Cleopatra on the river Cydnus where 'th'air [...] but for vacancy / Had gone to gaze on Cleopatra too, / And made a gap in nature' (Antony and Cleopatra, II.2.222-24). If both scenes deal with potent sexual seduction, Antony and Cleopatra... | |
 | Marvin Rosenberg, Mary Rosenberg - 2006 - 628 páginas
...Her people out upon her; and Anthony, Enthroned i'th'marketplace, did sit alone. Whistling to th'air; which, but for vacancy, Had gone to gaze on Cleopatra too, And made a gap in nature. Again Agrippa, the Roman, breathless in admiration: Agrippa [He has clapped]: Rare Egyptian! Upon her... | |
 | Emma Smith - 2007 - 6 páginas
...Her people out upon her; and Antony, Enthroned i'th'market-place, did sit alone, Whistling to th'air, which but for vacancy, Had gone to gaze on Cleopatra too, And made a gap in nature. (2.2.195-228) We can see how the vocabulary reverberates between North and Shakespeare: Cydnus, barge,... | |
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... steers ; the silken tackle Swell with the touches of those flower-soft hands, That yarely frame the office. From the barge A strange invisible perfume hits the sense Of the adjacent wharfs. The city cast Her people out upon her, and Antony, Enthron'd... 
