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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
Historical and critical matter The tempest. Two gentlemen of Verona. Merry ... - Página 12
por William Shakespeare - 1811
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The works of Samuel Johnson, Volumen9

Samuel Johnson - 1824
...count the clock, or why an hour should not be a century in that calenture of the brain that can.make the stage a field. The truth is, that the spectators...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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The English portion of the library of ... Francis Wrangham [a catalogue ...

Francis Wrangham - 1826
...Voss and bis two sons, see the Netv Monthly Mag. Ml. 299. 419. Johnson remarks on Scenic Illusion ; "The truth is, that the spectators are always in their...know from the first act to the last, that the stage U only a • i !••.-, and that the players arc only players, Sec." According to Yriarte, in his...
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The Classic and Connoisseur in Italy and Sicily: With an Appendix ..., Volumen1

Rev. George William David Evans - 1835
...that men deliberate in council, or give orders during battle, in recitative; in short, that " they are always in their senses, and know, from the first...act to the last, that the stage is only a stage, and the players only players." The comic, like the serious opera, dates from the year 1597. It was founded...
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Court Magazine, and Monthly Critic, Volumen10

1837
...ecetasy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. " The truth is, that...first act to the last, that the stage is only a stage, that the players are only players. They come to hear a certain number of lines recited with just gesture...
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Court Magazine, and Monthly Critic: Containing Original Papers ..., Volumen10

1837
...ecstasy should count the dock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. " The truth is, that...first act to the last, that the stage is only a stage, that the players are only players. They come to hear a certain number of lines recited with just gesture...
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The Discourses of Sir Joshua Reynolds

Sir Joshua Reynolds - 1824 - 279 páginas
...any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The truth is, that the spectators are always in their...recited with just gesture and elegant modulation." In revising this note, I wish the student distinctly to understand, that whether stage representation...
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Wit and Wisdom of Samuel Johnson

Samuel Johnson - 1888 - 323 páginas
...the stage a field. The T 2 truth Wit and Wisdom of Samuel Johnson. Wit and Wisdom of Samuel Johnson. truth is that the spectators are always in their senses,...only a stage, and that the players are only players, works, v. 120. • • • FAMILIAR comedy is often more powerful on the theatre than in the page ;...
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The Works of William Shakespeare, Volumen8

William Shakespeare - 1890
...nature. Particularly noteworthy is Johnson's discussion of the doctrine of the unities of time and place; the spectators "are always in their senses, and know,...act to the last, that the stage is only a stage;" knowing which they can make time and place, as well as any other mode of being, obsequious to the imagination....
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Selections in English Prose from Elizabeth to Victoria (1580-1880).

James Mercer Garnett - 1891 - 701 páginas
...ecstacy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is that...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...
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Selections from the Prose Writings of Samuel Taylor Coleridge

Samuel Taylor Coleridge - 1893 - 146 páginas
...dramatic fable in its materiality was ever credible, or, for a single moment was ever credited. . . The truth is, that the spectators are always in their...only a stage, and that the players are only players. . . The delight of tragedy proceeds from our consciousness of fiction ; if we thought murders and treasons...
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