 | 1992
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 | Richard Lansdown - 1992 - 280 páginas
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 | Michael Shapiro - 1994 - 300 páginas
...Most playgoers, however, are capable of the kind of dual consciousness described by Samuel Johnson: "the spectators are always in their senses, and know,...only a stage, and that the players are only players." 44 If Johnson is correct, spectators would not only have shared Cleopatra's fear, as Davies claims,... | |
 | Charles H. Hinnant - 1994 - 272 páginas
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 | John V. Canfield - 2003 - 466 páginas
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 | John V. Canfield - 1997 - 512 páginas
...thought and behaviour in the face of artistic phenomena? Samuel Johnson's eighteenth-century answer was 'The truth is, that the spectators are always in their...only a stage, and that the players are only players' [13.30]. One's knowledge of the nature of an artistic activity, alluded to by Cohen [13.26] and myself... | |
 | Pauline Kiernan - 1998 - 236 páginas
...Johnson stresses the ficri tiousness of Shakespearean drama, and when he insists that the spectators 'know, from the first act to the last, that the stage...only a stage, and that the players are only players', he is denying that the play asks us to take it for real life.6 Coleridge thinks the spectator - temporarily... | |
 | John V. Canfield - 2003 - 508 páginas
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 | George Dickie - 1997 - 212 páginas
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 | 1998 - 142 páginas
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
