 | William Shakespeare - 1898 - 462 páginas
...fable in its materiality was ever credible, or, for a single moment, was ever credited. ' The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Kome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes... | |
 | William Shakespeare - 1898 - 462 páginas
...fable in its materiality was ever credible, or, for a single moment, was ever credited. 1 The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Kome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes... | |
 | James Mercer Garnett - 1899 - 728 páginas
...fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first...himself at Alexandria, and believes that his walk to me theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely... | |
 | Robert Chambers - 1902 - 864 páginas
...fable in its materiality was ever credible, or for a single moment was ever credited. The objection nature and grounds of faith or opinion ; whereby I mean reall}' imagines himself at Alexandria, and believes that hi* walk to the theatre has been a voyage... | |
 | David Nichol Smith - 1903 - 450 páginas
...fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first...lives in the days of Antony and Cleopatra. Surely he L^ that imagines this may imagine more. He that can take the stage at one time for the palace of the... | |
 | Walter Cochrane Bronson - 1905 - 426 páginas
...fable in its materiality was ever credible or for a single moment was ever credited. The objection arising from the impossibility of passing the first...play opens, the spectator really imagines himself 10 at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt and that he... | |
 | Ludwig Herrig - 1906 - 844 páginas
...credible, or, for a single moment, was ever credited. The objection arising from the im- no possibility of passing the first hour at Alexandria, and the next...imagines himself at Alexandria, and believes that his us walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra,... | |
 | Stendhal - 1907 - 258 páginas
...fable, in its materiality, was ever credible, or, for a single moment, was credited. The objection arising from the impossibility of passing the first...that he lives in the days of Antony and Cleopatra. . . . Delusion, if delusion be admitted, haï no certain limitation ; if the spectator can be once... | |
 | Stendhal - 1907 - 254 páginas
...was credited. The objection arising from the impossibility of passing the first hour at Alexandriu, and the next at Rome, supposes that, when the play opens, the spectator really imagines himself at Alexandriu, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives... | |
 | René Louis Huchon - 1907 - 330 páginas
...Cleopatra^ for instance, does the spectator really "imagine himself at Alexandria"? does he believe "that his walk to the theatre has been a voyage to Egypt"? If a London stage stands for Alexandria, why should it not stand for Rome also? "Delusion, if delusion... | |
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The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage... 
