Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
Dentro del libro
Resultados 6-10 de 41
Página 11
... subjects in every way worthy of their art . Vol . I. 1888 " From the window of Titian's house at Venice the chain of ... subject instead of an accom- paniment . " Such progress had been made , it almost seemed as A BRIEF HISTORY II.
... subjects in every way worthy of their art . Vol . I. 1888 " From the window of Titian's house at Venice the chain of ... subject instead of an accom- paniment . " Such progress had been made , it almost seemed as A BRIEF HISTORY II.
Página 12
... to realize that landscapes without any interest connected with human life in them were proper subjects of study for their own innate beauty and love- liness . Three great painters inaugurated the move- 4 4 For a 12 LANDSCAPE PAINTING.
... to realize that landscapes without any interest connected with human life in them were proper subjects of study for their own innate beauty and love- liness . Three great painters inaugurated the move- 4 4 For a 12 LANDSCAPE PAINTING.
Página 13
... subjects , religious pieces and portraits , first grasped the idea that the outside world should be treated natu- rally in art , and found time to paint the first unconventional landscapes . ( See Plate 6. ) There is a superb painting ...
... subjects , religious pieces and portraits , first grasped the idea that the outside world should be treated natu- rally in art , and found time to paint the first unconventional landscapes . ( See Plate 6. ) There is a superb painting ...
Página 17
... subjects , and from any subjection to figure painting that re- mained . Ruysdael is a very distinctive link in the chain of landscape artists that connects the present with the past . ( See Plate 10. ) He early became dissatisfied with ...
... subjects , and from any subjection to figure painting that re- mained . Ruysdael is a very distinctive link in the chain of landscape artists that connects the present with the past . ( See Plate 10. ) He early became dissatisfied with ...
Página 29
... the interiors of churches and other buildings as his chosen subjects , Johannes Bosboom . ' He 1817-1891 . was the first to break with the old order of things and to give a new interpretation . The dry REVIVAL OF DUTCH ART 29.
... the interiors of churches and other buildings as his chosen subjects , Johannes Bosboom . ' He 1817-1891 . was the first to break with the old order of things and to give a new interpretation . The dry REVIVAL OF DUTCH ART 29.
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY