Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 37
... realism . John Ruskin and P. G. Hamerton in the latter part of the nineteenth century were the two best known writers on art subjects in England . If Hamerton had been endowed with more poetry and imagination , he would have been one of ...
... realism . John Ruskin and P. G. Hamerton in the latter part of the nineteenth century were the two best known writers on art subjects in England . If Hamerton had been endowed with more poetry and imagination , he would have been one of ...
Página 40
... realism and its opposite . What I want you to notice is that though in abstraction there must be such a thing , yet in these realities with which we are concerned realism is a very evasive distinction . If ex- THE NEW YORK PUBLIC ...
... realism and its opposite . What I want you to notice is that though in abstraction there must be such a thing , yet in these realities with which we are concerned realism is a very evasive distinction . If ex- THE NEW YORK PUBLIC ...
Página 41
... realism . If you ever know how to paint somewhat well , and pass beyond the position of the student who has not yet learned to use his hands as an expression of the memories of his brain , you will always give to nature , that is , what ...
... realism . If you ever know how to paint somewhat well , and pass beyond the position of the student who has not yet learned to use his hands as an expression of the memories of his brain , you will always give to nature , that is , what ...
Página 50
... realism : " Le réalisme devrait être défini l'antipode de l'art . . . car peut - on concevoir que l'esprit ne guide pas la main de l'artiste , et croira - t - on possible en même temps que , malgré toute son application à imiter , il ne ...
... realism : " Le réalisme devrait être défini l'antipode de l'art . . . car peut - on concevoir que l'esprit ne guide pas la main de l'artiste , et croira - t - on possible en même temps que , malgré toute son application à imiter , il ne ...
Página 61
... realism in painting the sun and of that poetical and artistic illusion which and the does not aim at being confounded with reality " The De- itself . The object of true art is only to the imagination , not to deceive the eye . we see a ...
... realism in painting the sun and of that poetical and artistic illusion which and the does not aim at being confounded with reality " The De- itself . The object of true art is only to the imagination , not to deceive the eye . we see a ...
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY