Biographia Literaria; Or, Biographical Sketches of My Literary Life and Opinions, Volúmenes1-2W. Gowans, 1852 - 804 páginas |
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Página 32
... POETS ' CORNER . O WORLD , what have your poets while they live But sorrow and the finger of the scorner ? And , dead , the highest honour you can give Is burial in a corner . Not so , my poets of the popular school Disprove that mean ...
... POETS ' CORNER . O WORLD , what have your poets while they live But sorrow and the finger of the scorner ? And , dead , the highest honour you can give Is burial in a corner . Not so , my poets of the popular school Disprove that mean ...
Página
... poet and the irrational nature of the poetic process', first distinguishing diseased human madness from the divinely blessed madness of poetic inspiration (Phaedrus 245a–245e, 265) and then conducting a more outright attack on the 'the ...
... poet and the irrational nature of the poetic process', first distinguishing diseased human madness from the divinely blessed madness of poetic inspiration (Phaedrus 245a–245e, 265) and then conducting a more outright attack on the 'the ...
Página 32
... poet , and he " is appealed to as an ef- feminate and luxurious man whose soft and sensuous poetry was the natural outcome of his nature . " - 127. Babaiax . An exclamation of surprise . Strattis . A poet of the Old Comedy , 410–380 B ...
... poet , and he " is appealed to as an ef- feminate and luxurious man whose soft and sensuous poetry was the natural outcome of his nature . " - 127. Babaiax . An exclamation of surprise . Strattis . A poet of the Old Comedy , 410–380 B ...
Página 79
... poetic prose and expresses an educational ideal. As soon as poetry is created, it ceases to belong to the poet. It is free because it cannot be different from its origin. Freedom, poetic imagination and creation are symptoms and the ...
... poetic prose and expresses an educational ideal. As soon as poetry is created, it ceases to belong to the poet. It is free because it cannot be different from its origin. Freedom, poetic imagination and creation are symptoms and the ...
Página 531
... POETIC TERMINOLOGY GERTA HÜTTL WORTH To Vasilij Trediakovskij , the initiator of the new syllabotonic system of versification , the Russian language also owes its poetic terminology . As early as 1735 Trediakovskij introduced all basic ...
... POETIC TERMINOLOGY GERTA HÜTTL WORTH To Vasilij Trediakovskij , the initiator of the new syllabotonic system of versification , the Russian language also owes its poetic terminology . As early as 1735 Trediakovskij introduced all basic ...
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admiration Antinomianism appear Archdeacon Hare Aristotle beautiful believe Biographia Literaria called cause character Charles Lamb Christ Christian Church Coleridge's common connexion criticism divine doctrine edition effect Essay expression eyes faith fancy Father feelings Fichte former genius German ground heart honor human ideas imagination intellectual Irenæus Kant language least Leibnitz less letter lines literary Luther Lyrical Ballads Maasz Malebranche means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward passage perhaps persons philosophy Pindar Plato Plotinus poem poet poetic poetry present principles produced prose published racter Ratzeburg reader reason religion religious remarks S. T. COLERIDGE Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul speak spirit stanzas style suppose Synesius things thou thought tion translation true truth verse whole words Wordsworth writings καὶ τὸ
Pasajes populares
Página 179 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Página 214 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Página 568 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Página 568 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy!
Página 567 - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: Not for these I raise The song of thanks and praise...
Página 561 - She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm Of mute, insensate things.
Página 364 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Página 429 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation...
Página 437 - What is poetry? — is so nearly the same question with, what is a poet? — that the answer to the one is involved in the solution of the other.
Página 437 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.