Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
Dentro del libro
Resultados 6-10 de 20
Página 61
... object of true art is only to the imagination , not to deceive the eye . we see a good portrait we say , ' It is alive ! ' In other words , our imagination lends it life . We see what is given us , and we give on our side . A work of ...
... object of true art is only to the imagination , not to deceive the eye . we see a good portrait we say , ' It is alive ! ' In other words , our imagination lends it life . We see what is given us , and we give on our side . A work of ...
Página 120
... , are incidents only . And we see by the broad way in which they are treated how careful the artists were not to allow them to interfere in any way with the greater object they had , of painting the scene as a 120 LANDSCAPE PAINTING.
... , are incidents only . And we see by the broad way in which they are treated how careful the artists were not to allow them to interfere in any way with the greater object they had , of painting the scene as a 120 LANDSCAPE PAINTING.
Página 121
E. B. Greenshields. object they had , of painting the scene as a whole . Each has his own way of treating the effects of light and atmosphere . Mauve usually sees the light diffused , and softly refracted here and there by figure or tree ...
E. B. Greenshields. object they had , of painting the scene as a whole . Each has his own way of treating the effects of light and atmosphere . Mauve usually sees the light diffused , and softly refracted here and there by figure or tree ...
Página 124
... object of constant pursuit is elu- sive and is always escaping just as the prize seems won , though the end is never fully attained , perhaps is never attainable , the true artist still strives on , and the greater the man , and the ...
... object of constant pursuit is elu- sive and is always escaping just as the prize seems won , though the end is never fully attained , perhaps is never attainable , the true artist still strives on , and the greater the man , and the ...
Página 130
... object always before him , to put on his canvas the interiors as he sees them , full of light and shadow , with every detail enveloped in atmosphere , and so well does he render their mystery and poetry that he has been called the ...
... object always before him , to put on his canvas the interiors as he sees them , full of light and shadow , with every detail enveloped in atmosphere , and so well does he render their mystery and poetry that he has been called the ...
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY