Biographia LiterariaDigiCat, 2022 M11 13 - 289 páginas Samuel Taylor Coleridge's "Biographia Literaria" stands as a seminal text in the realm of literary criticism, intertwining autobiography with critical analysis. Written in a hybrid style that melds philosophical discourse with poetic reflection, Coleridge explores the nature of poetry, the creative process, and the qualities that define literary genius. This work is often viewed within the context of the Romantic era, as it delves deeply into the relationship between the individual poet and the wider world, grappling with themes of imagination, inspiration, and the ethical responsibilities of the writer. Coleridge, a pivotal figure in the Romantic movement alongside contemporaries like Wordsworth, was influenced by his own tumultuous experiences—ranging from his struggles with addiction to his philosophical inquiries into the human condition. His dual pursuits of philosophy and poetry informed his belief in the necessity of imagination as a bridging force between reality and transcendence. "Biographia Literaria" thus emerges not only as a reflection of Coleridge's insights into literature but also as a window into his own artistic soul. For scholars, students, and enthusiasts of literature, "Biographia Literaria" is essential reading, offering profound insights into both the creative psyche and the nature of art itself. Coleridge's work invites readers to reconsider their perceptions of poetry and art while providing a philosophical underpinning that continues to resonate in contemporary literary discussions. |
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... line, Then lack'd I matter, that enfeebled mine. S. LXXXVI. In Spenser, indeed, we trace a mind constitutionally tender, delicate, and, in comparison with his three great compeers, I had almost said, effeminate; and this additionally ...
... line, Then lack'd I matter, that enfeebled mine. S. LXXXVI. In Spenser, indeed, we trace a mind constitutionally tender, delicate, and, in comparison with his three great compeers, I had almost said, effeminate; and this additionally ...
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... lines, inequality in the merit of the different poems, and (in the lighter works) a predilection for the strange and whimsical; in short, such faults as might have been anticipated in a young and rapid writer, were indeed sufficiently ...
... lines, inequality in the merit of the different poems, and (in the lighter works) a predilection for the strange and whimsical; in short, such faults as might have been anticipated in a young and rapid writer, were indeed sufficiently ...
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... lines, and the like, of Swift and his correspondents, in hours of languor, when to have read his more finished works ... line which it need regret on any moral account. I have in imagination transferred to the future biographer the ...
... lines, and the like, of Swift and his correspondents, in hours of languor, when to have read his more finished works ... line which it need regret on any moral account. I have in imagination transferred to the future biographer the ...
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... lines would have precluded nine-tenths of the criticism on this work. I hazard this declaration, however, on the supposition, that the reader has taken it up, as he would have done any other collection of poems purporting to derive ...
... lines would have precluded nine-tenths of the criticism on this work. I hazard this declaration, however, on the supposition, that the reader has taken it up, as he would have done any other collection of poems purporting to derive ...
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... Lines written near Tintern Abbey , on revisiting the Wye , those Left upon a Yew Tree Seat , The Old Cumberland Beggar , and Ruth , have been gradually led to peruse with kindred feeling The Brothers , the Hart - leap Well , and ...
... Lines written near Tintern Abbey , on revisiting the Wye , those Left upon a Yew Tree Seat , The Old Cumberland Beggar , and Ruth , have been gradually led to peruse with kindred feeling The Brothers , the Hart - leap Well , and ...
Contenido
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER XXII | |
CHAPTER XII | |
CHAPTER XIII | |
CONCLUSION | |
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admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings