Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 64
... figure painter , who has the assistance given by the expression of the features , to move us by the emotion he feels . It is very much more dif- ficult to do this by means of pure landscape . When this is realized , we know that ...
... figure painter , who has the assistance given by the expression of the features , to move us by the emotion he feels . It is very much more dif- ficult to do this by means of pure landscape . When this is realized , we know that ...
Página 66
... figure , sitting in her room in the twilight of life , by one who owed so much to her and wished to express his affection and gratitude by por- traying her gentle character as he could so well do ? The artist - critic may say , " Yes ...
... figure , sitting in her room in the twilight of life , by one who owed so much to her and wished to express his affection and gratitude by por- traying her gentle character as he could so well do ? The artist - critic may say , " Yes ...
Página 73
... figure of the sower is shown against the brown earth , and his features can hardly be made out in the dark shadow under his cap . Here we have the great master's idea of the labourer doing his allotted share in the ever recurring ...
... figure of the sower is shown against the brown earth , and his features can hardly be made out in the dark shadow under his cap . Here we have the great master's idea of the labourer doing his allotted share in the ever recurring ...
Página 81
... figures , so the poet describes the scenery in which the action of his story is placed . These are often passages of great beauty , but they are usually merely descriptive , appealing to the intellect but not to the feelings . Splendid ...
... figures , so the poet describes the scenery in which the action of his story is placed . These are often passages of great beauty , but they are usually merely descriptive , appealing to the intellect but not to the feelings . Splendid ...
Página 112
... figure in its his- tory . He found it necessary to adopt very bold and vigorous brush work , and to paint in the broadest way , leaving out details and all so - called finish to gain the end he wanted . * Memorial " He recorded his ...
... figure in its his- tory . He found it necessary to adopt very bold and vigorous brush work , and to paint in the broadest way , leaving out details and all so - called finish to gain the end he wanted . * Memorial " He recorded his ...
Otras ediciones - Ver todas
Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear ASTOR atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Delacroix Eugène Fromentin expression feeling figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter landscape painting LENOX AND TILDEN light living look masters Matthew Maris ment mind modern Dutch moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical things thou thought tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder YORK PUBLIC LIBRARY