Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
Dentro del libro
Resultados 6-10 de 20
Página 80
... express what we call representations or ideas, but he carefully distinguishes them from material motion, designating the latter always by annexing the words en topo, or kata topon. On the contrary, in his treatise De Anima, he excludes ...
... express what we call representations or ideas, but he carefully distinguishes them from material motion, designating the latter always by annexing the words en topo, or kata topon. On the contrary, in his treatise De Anima, he excludes ...
Página 81
... express it, after consciousness. In association then consists the whole mechanism of the reproduction of impressions, in the Aristotelian Psychology. It is the universal law of the passive fancy and mechanical memory; that which ...
... express it, after consciousness. In association then consists the whole mechanism of the reproduction of impressions, in the Aristotelian Psychology. It is the universal law of the passive fancy and mechanical memory; that which ...
Página 117
... express; or that in his own conception he confined the whole plastic power to the forms of the intellect, leaving for the external cause, for the materiale of our sensations, a matter without form, which is doubtless inconceivable. I ...
... express; or that in his own conception he confined the whole plastic power to the forms of the intellect, leaving for the external cause, for the materiale of our sensations, a matter without form, which is doubtless inconceivable. I ...
Página 118
... express himself either mythically or equivocally. When Kant therefore was importuned to settle the disputes of his commentators himself, by declaring what he meant, how could he decline the honours of martyrdom with less offence, than ...
... express himself either mythically or equivocally. When Kant therefore was importuned to settle the disputes of his commentators himself, by declaring what he meant, how could he decline the honours of martyrdom with less offence, than ...
Página 127
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Contenido
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
Otras ediciones - Ver todas
Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer