The Quarterly Review, Volumen246William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray IV, Rowland Edmund Prothero Baron Ernle John Murray, 1926 |
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Página 12
... century did ; provided they got a grandiose and startling effect they seem to have been indifferent how the effect was arrived at . They cared only for show , and after the fine flame of the great architects of the Renaissance - Peruzzi ...
... century did ; provided they got a grandiose and startling effect they seem to have been indifferent how the effect was arrived at . They cared only for show , and after the fine flame of the great architects of the Renaissance - Peruzzi ...
Página 13
... century till its end in the 18th . At other times he seems to limit it to the 17th - century men , such as Bernini and Borromini . Moreover , he repudiates the idea of advance . Each famous master was , he main- tains , complete in ...
... century till its end in the 18th . At other times he seems to limit it to the 17th - century men , such as Bernini and Borromini . Moreover , he repudiates the idea of advance . Each famous master was , he main- tains , complete in ...
Página 14
... century architecture that the range of its technique was steadily extending , so that when we come to the violent revolt of the Baroque architects against the formalism of Palladio and Vignola , whatever one may think of their buildings ...
... century architecture that the range of its technique was steadily extending , so that when we come to the violent revolt of the Baroque architects against the formalism of Palladio and Vignola , whatever one may think of their buildings ...
Página 16
... century criticism of architecture worth- less . He breaks boldly with the conventions and estab- lishes architecture in its rightful place as an art sovereign and complete in itself . It is , he says , ' above all an art of synthesis ...
... century criticism of architecture worth- less . He breaks boldly with the conventions and estab- lishes architecture in its rightful place as an art sovereign and complete in itself . It is , he says , ' above all an art of synthesis ...
Página 17
... century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete indifference to any standard of values is something new . It enables Mr Sitwell to praise second- and ...
... century art in Italy , and indeed elsewhere , was seriously under - rated by popular writers of the last century , but this complete indifference to any standard of values is something new . It enables Mr Sitwell to praise second- and ...
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Términos y frases comunes
Admiralty agricultural American appear Archbishop architect architecture authority Baroque birds Bishop British capital cent century Church consecration Constitution CORNWALL ON HUDSON criticism Dante Disraeli doubt employees England English fact farm favour feeling foreign France French friends Gatchina ghost Giotto Government Grand Duke hand Hungarian Hungary income increase industry interest jest-book John Rastell labour land landlord LEONARD SCOTT less letters Liberal living Lord ment Michael Romanov milliards mind Minister modern nature naval never Newman Oxford Parliament partridge party perhaps Plutarch poet poetry political profits prohibition Queen Queen Victoria realise reason reform regard RUTGERS PREPARATORY SCHOOL seems SEVERN SCHOOL share social Socialists spirit St Petersburg story taxation tenant things thought tion to-day told W. G. Ward whole workers writes
Pasajes populares
Página 146 - If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave once, her flowers to love, her ways to roam. A body of England's, breathing English air, Washed by the rivers, blest by the suns of home.
Página 19 - ... sumite materiam vestris, qui scribitis, aequam viribus, et versate diu, quid ferre recusent, quid valeant umeri.
Página 369 - ... able to attain. Mr. Webster, leaning back at his ease, telling stories, cracking jokes, shaking the sofa with burst after burst of laughter, or smoothly discoursing to the perfect felicity of the logical part of one's constitution, would illuminate an evening now and then. Mr. Calhoun, the cast-iron man, who looks as if he had never been born and never could be extinguished...
Página 75 - His appearance was striking. He was above the middle height, slight and spare. His head was large, his face remarkably like that of Julius Caesar. The forehead, the shape of the ears and nose, were almost the same. The lines of the mouth were very peculiar, and I should say exactly the same. I have often thought of the resemblance, and believed that it extended to the temperament. In both there was an original force of character which refused to be moulded by circumstances, which was to make its...
Página 370 - ... up and down the car, and in and out of it, as his fancy dictates ; leans against the door with his hands in his pockets and stares at you, if you chance to be a stranger ; or enters into conversation with the passengers about him. A great many newspapers are pulled out, and a few of them are read. Everybody talks to you, or to anybody else who hits his fancy. If you are an Englishman, he expects that that railroad is pretty much like an English railroad. If you say " No," he says " Yes ? " (interrogatively),...
Página 333 - In painting Cimabue thought that he Should hold the field, now Giotto has the cry, So that the other's fame is growing dim. So has one Guido from the other taken The glory of our tongue, and he perchance Is born, who from the nest shall chase them both...
Página 346 - ... reason is the life of the law, nay the common law itself is nothing else but reason; which is to be understood of an artificial perfection of reason, gotten by long study, observation, and experience, and not of every man's natural reason ; for, Nemo nascitur artifex.
Página 105 - Joe Miller's Jests ; or the Wits VadeMecum. Being a Collection of the most Brilliant Jests; the Politest Repartees; the most Elegant Bon-Mots, and most pleasant short Stories in the English Language.
Página 214 - Bright shines the sun ; play, beggars play, Here's scraps enough to serve to-day. The world is ours, and ours alone, For we alone have world at will : We purchase not, all is our own, Both fields and streets we beggars fill ; Nor care to get, nor fear to keep, Did ever break a beggar's sleep. Bright shines the sun ; play, beggars play, Here's scraps enough to serve to-day.
Página 331 - l poema sacro, Al quale ha posto mano e Cielo e Terra, Sì che m' ha fatto per più anni macro, Vinca la crudeltà, che fuor mi serra Del bello ovile, ov...