Landscape Painting and Modern Dutch ArtistsBaker & Taylor Company, 1906 - 229 páginas |
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Página 42
... becomes clear that the landscape painter must look out for compen- sations to counterbalance the weakness of his art in conveying the emotions excited by na- ture . Accuracy in drawing makes simple to- pography the inevitable result ...
... becomes clear that the landscape painter must look out for compen- sations to counterbalance the weakness of his art in conveying the emotions excited by na- ture . Accuracy in drawing makes simple to- pography the inevitable result ...
Página 47
... become compara- tively common , but is perhaps all that other people see . " Vol . I. " It is impossible to go too finely or think " Modern too much about details in landscape so that Painters . " they be rightly arranged and rightly ...
... become compara- tively common , but is perhaps all that other people see . " Vol . I. " It is impossible to go too finely or think " Modern too much about details in landscape so that Painters . " they be rightly arranged and rightly ...
Página 48
... become dark with excess of light . " * And indeed Ruskin's lofty ideas about art are only fully seen in his splendid apprecia- tion of the greatness of Turner , whose repu- tation stands supreme , not for the accurate knowledge of form ...
... become dark with excess of light . " * And indeed Ruskin's lofty ideas about art are only fully seen in his splendid apprecia- tion of the greatness of Turner , whose repu- tation stands supreme , not for the accurate knowledge of form ...
Página 53
... becomes to - day the highest expression of experience and knowledge , and that talent consists in struggling for exactitude , precision , and imitative force with an instrument . All personal interference of sensibility is out of place ...
... becomes to - day the highest expression of experience and knowledge , and that talent consists in struggling for exactitude , precision , and imitative force with an instrument . All personal interference of sensibility is out of place ...
Página 57
... become the slave " Broadway of detail . He should strive to express his Magazine . " Sept. , 1905 . thought and not the surface of it . What avails a storm cloud accurate in form and colour , if the storm is not therein ? " " Imitation ...
... become the slave " Broadway of detail . He should strive to express his Magazine . " Sept. , 1905 . thought and not the surface of it . What avails a storm cloud accurate in form and colour , if the storm is not therein ? " " Imitation ...
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Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm churches Claude clouds colour composition Constable Corot Delacroix drawing dream Dutch artists effect Emerson emotion Essay Eugène Eugène Delacroix Eugène Fromentin expression figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch J. M. W. Turner Jacob Van Ruysdael James Maris Johannes Bosboom Josef Israels knowledge land landscape art landscape painter light living look masters Matthew Maris ment mind modern Dutch Modern Painters moods mystery nature never Nicolas Poussin painting perfect PLATE poetical poetry poets produced realistic Rembrandt render Rubens Ruskin Ruysdael scene seems seen shows skies skill spirit sympathy technical things thou tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder