Landscape Painting and Modern Dutch Artists |
Dentro del libro
Resultados 6-10 de 24
Página 78
And so people generally come to have right views about pictures , even if they do
not fully understand the reasons of their belief , nor why they should admire both
Rembrandt and Whistler , Turner and Daubigny , Terburg and Degas , Watteau ...
And so people generally come to have right views about pictures , even if they do
not fully understand the reasons of their belief , nor why they should admire both
Rembrandt and Whistler , Turner and Daubigny , Terburg and Degas , Watteau ...
Página 80
From the technical and decorative standpoint they are the admiration of the artist ,
and by their subjects , " Let artists and their suggestive power , they fascinate
remember the observer and draw him into sympathy is more rare with the
painters ...
From the technical and decorative standpoint they are the admiration of the artist ,
and by their subjects , " Let artists and their suggestive power , they fascinate
remember the observer and draw him into sympathy is more rare with the
painters ...
Página 86
I admire , None more admires , the painter ' s magic skill , But imitative strokes
can do no more Than please the eye — sweet nature every sense . The cheering
fragrance of her dewy vales , And music of her woods — no works of man May ...
I admire , None more admires , the painter ' s magic skill , But imitative strokes
can do no more Than please the eye — sweet nature every sense . The cheering
fragrance of her dewy vales , And music of her woods — no works of man May ...
Página 111
that referred to that they show this develop - 1886 . W . E . ment of the ideas of
Constable . For probably Henley through the works of the Barbizon school , n
which were greatly admired in Holland , the artists there MODERN DUTCH ART
113.
that referred to that they show this develop - 1886 . W . E . ment of the ideas of
Constable . For probably Henley through the works of the Barbizon school , n
which were greatly admired in Holland , the artists there MODERN DUTCH ART
113.
Página 112
which were greatly admired in Holland , the artists there learned his principles
and put them into general practice , and carried them further than had been seen
before . His main idea was to give the effect of atmosphere and light in nature ...
which were greatly admired in Holland , the artists there learned his principles
and put them into general practice , and carried them further than had been seen
before . His main idea was to give the effect of atmosphere and light in nature ...
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |