Landscape Painting and Modern Dutch Artists |
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Página v
Cephalus and Procris . . . Claude le Lorrain . . IX . Prince Balthazar Carlos . .
Velasquez . . . . 26 X . Landscape with Church . . Jacob van Ruysdael . XI .
Landscape with Stormy Sky John Constable . . XII . Crossing the Brook . . . J . M .
W . Turner ...
Cephalus and Procris . . . Claude le Lorrain . . IX . Prince Balthazar Carlos . .
Velasquez . . . . 26 X . Landscape with Church . . Jacob van Ruysdael . XI .
Landscape with Stormy Sky John Constable . . XII . Crossing the Brook . . . J . M .
W . Turner ...
Página x
The same scene might be painted by Ruysdael and Hobbema , by Constable
and Turner , by Daubigny and Rousseau , and each picture would take on the
spirit of the individual artist , and give the observer very different ideas of identical
...
The same scene might be painted by Ruysdael and Hobbema , by Constable
and Turner , by Daubigny and Rousseau , and each picture would take on the
spirit of the individual artist , and give the observer very different ideas of identical
...
Página 18
Constable was one 31775 - 1851 . of the creators and strong forces in the history
of landscape . He was the first to give a real out - of - door , atmospheric
appearance to his pictures , and he had a very vigorous and personal manner of
...
Constable was one 31775 - 1851 . of the creators and strong forces in the history
of landscape . He was the first to give a real out - of - door , atmospheric
appearance to his pictures , and he had a very vigorous and personal manner of
...
Página 18
Delacroix ' journal says that when he saw the “ Journal ane pictures of Constable
he sent for and comDelacroix . ” pletely changed his painting , “ The Massacre
Vol . I . of Scio , ” which was at the time being exhibited . And in 1847 he writes ...
Delacroix ' journal says that when he saw the “ Journal ane pictures of Constable
he sent for and comDelacroix . ” pletely changed his painting , “ The Massacre
Vol . I . of Scio , ” which was at the time being exhibited . And in 1847 he writes ...
Página 21
Like Constable he was rejected by the critics of his day . They said his work was
unfinished and careless . But the opinion of the few who recognized the coming
of a genius in each case prevailed , and public opinion has placed them both in ...
Like Constable he was rejected by the critics of his day . They said his work was
unfinished and careless . But the opinion of the few who recognized the coming
of a genius in each case prevailed , and public opinion has placed them both in ...
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Términos y frases comunes
able admiration appear artist atmosphere beautiful become Bosboom canvas cattle century changed CHAPTER character charm churches clouds colour comes composition Constable critic detail drawing dream Dutch early effect expression fact feeling fields figure give given happy heart Holland human ideal ideas imagination imitation important impression individual inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Matthew Mauve means mind mystery nature never object observer original painter painting passed past perfect period PLATE poetry poets produced realistic reveal scene seems seen shows side skill spirit strong subjects suggestive technical tell things thought tion trees true truth ture Turner Weissenbruch whole William Maris wonder writes
Información bibliográfica
| Título | Landscape Painting and Modern Dutch Artists |
| Autores | E. B. Greenshields, John Ruskin, John Addington Symonds |
| Edición | 3 |
| Editor | Baker & Taylor Company, 1906 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 20 Sep. 2010 |
| Largo | 229 páginas |
| Exportar cita | BiBTeX EndNote RefMan |