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Translation of the two first stanzas of the song "Rio Verde, Rio Verde".. 142
Translation of some lines at the end of Baretti's Easy Phraseology
Improviso translation of a distich on the duke of Modena's running away
from the comet in 1742 or 1743
Improviso translation of some lines of M. Benserade à son Lit
Translation of some lines, written under a print representing persons
To Mrs. Thrale, on her completing her thirty-fifth year.
Impromptu translation of an air in the Clemenza di Tito of Metastasio
Translation of a speech of Aquileio in the Adriano of Metastasio.
-Burlesque of the modern versifications of ancient legendary tales
Friendship; an ode.................
On seeing a bust of Mrs. Montague.
Improviso on a young heir's coming of age
THE LIFE AND GENIUS
SAMUEL JOHNSON, LL.D.
WHEN the works of a great writer, who has bequeathed to posterity a lasting legacy, are presented to the world, it is naturally expected that some account of his life should accompany the edition. The reader wishes to know as much as possible of the author. The circumstances that attended him, the features of his private character, his conversation, and the means by which he arose to eminence, become the favourite objects of inquiry. Curiosity is excited; and the admirer of his works is eager to know his private opinions, his course of study, the particularities of his conduct, and, above all, whether he pursued the wisdom which he recommends, and practised the virtue which his writings inspire. A principle of gratitude is awakened in every generous mind. For the entertainment and instruction which genius and diligence have provided for the world, men of refined and sensible tempers are ready to pay their tribute of praise, and even to form a posthumous friendship with the author.
In reviewing the life of such a writer, there is, besides, a rule of justice to which the public have an undoubted claim. Fond admiration and partial friendship should not be suffered to represent his virtues with exaggeration; nor should malignity be allowed, under a specious disguise, to magnify mere defects, the usual failings of human nature, into vice or gross deformity. The lights and shades of the character should be given; and if this be done with a strict regard to truth, a just estimate of Dr. Johnson will afford a lesson, perhaps, as valuable as the moral doctrine that speaks with energy in every page of his works.
The present writer enjoyed the conversation and friendship of that excellent man more than thirty years. He thought it an
honour to be so connected, and to this hour he reflects on his loss with regret; but regret, he knows, has secret bribes, by which the judgment may be influenced, and partial affection may be carried beyond the bounds of truth. In the present case, however, nothing needs to be disguised, and exaggerated praise is unnecessary. It is an observation of the younger Pliny, in his epistle to his friend Tacitus, that history ought never to magnify matters of fact, because worthy actions require nothing but the truth: "nam nec historia debet egredi veritatem, et honeste factis veritas sufficit." This rule, the present biographer promises, shall guide his pen throughout the following narrative.
It may be said, the death of Dr. Johnson kept the public mind in agitation beyond all former example. No literary character ever excited so much attention; and, when the press has teemed with anecdotes, apophthegms, essays, and publications of every kind, what occasion now for a new tract on the same threadbare subject? The plain truth shall be the answer. The proprietors of Johnson's works thought the life, which they prefixed to their former edition, too unwieldy for republication. The prodigious variety of foreign matter, introduced into that performance, seemed to overload the memory of Dr. Johnson, and, in the account of his own life, to leave him hardly visible. They wished to have a more concise, and, for that reason, perhaps, a more satisfactory account, such as may exhibit a just picture of the man, and keep him the principal figure in the foreground of his own picture. To comply with that request is the design of this essay, which the writer undertakes with a trembling hand. He has no discoveries, no secret anecdotes, no occasional controversy, no sudden flashes of wit and humour, no private conversation, and no new facts, to embellish his work. Every thing has been gleaned. Dr. Johnson said of himself, "I am not uncandid, nor severe: I sometimes say more than I mean, in jest, and people are apt to think me serious a." The exercise of that privilege, which is enjoyed by every man in society, has not been allowed to him. His fame has given importance even to trifles; and the zeal of his friends has brought every thing to light. What should be related, and what should not, has been published without distinction: "dicenda tacenda locuti !" Every thing that fell from him has been caught with eagerness by his admirers
a Boswell's Life of Johnson, vol. ii. p. 465, 4to. edit.