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But even this night,-whose black contagious

breath

Already smokes about the burning crest
Of the old, feeble, and day-wearied sun,-
Even this ill night, your breathing shall expire;
Paying the fine of rated treachery,

Even with a treacherous fine of all your lives,
If Lewis by your assistance win the day.
Commend me to one Hubert, with your king;
The love of him,-and this respect besides,
For that my grandsire was an Englishman,
Awakes my conscience to confess all this.
In lieu whereof, I pray you, bear me hence
From forth the noise and rumour of the field;
Where I may think the remnant of my thoughts
In peace, and part this body and my soul
With contemplation and devout desires.

SAL. We do believe thee,-And beshrew my soul
But I do love the favour and the form
Of this most fair occasion, by the which
We will untread the steps of damned flight;
And, like a bated and retired flood,

Leaving our rankness and irregular course', Stoop low within those bounds we have o'erlook'd, And calmly run on in obedience,

Even to our ocean, to our great king John.——— My arm shall give thee help to bear thee hence;

8

RATED treachery,] It were easy to change rated to hated, for an easier meaning, but rated suits better with fine. The Dauphin has rated your treachery, and set upon it a fine, which your lives must pay. JOHNSON.

9 For that my grandsire was an Englishman,] taken from the old play, printed in quarto, in 1591.

1

This line is
MALONE.

Leaving our RANKNESS and irregular course,] Rank, as ap

overflow: as

plied to water, here signifies exuberant, ready to applied to the actions of the speaker and his party, it signifies inordinate. So, in our author's Venus and Adonis :

"Rain added to a river that is rank,

"Perforce will force it overflow the bank." MALONE.

For I do see the cruel pangs of death

Right in thine eye 2.-Away, my friends! New

flight;

3

And happy newness 3, that intends old right.

[Exeunt, leading off MELUN.

SCENE V.

The Same. The French Camp.

Enter LEWIS and his Train.

LEW. The sun of heaven, methought, was loath

to set;

But stay'd, and made the western welkin blush, When the English measur'd backward their own

ground,

4

In faint retire: O, bravely came we off,
When with a volley of our needless shot,
After such bloody toil, we bid good night;
And wound our tattering' colours clearly up,

2 RIGHT in thine eye.] This is the old reading. Right signifies immediate. It is now obsolete. Some commentators would read-pight, i. e. pitched as a tent is; others," Fight in thine eye." STEEVENS.

3 - happy NEWNESS, &c.] Happy innovation, that purposed the restoration of the ancient rightful government. JOHNSON. 4 When the English MEASUR'D] Old copy-When English measure, &c. Corrected by Mr. Pope. MALONE.

statter'd ] For tatter'd, the folio reads, tottering.

JOHNSON.

Tattering, which, in the spelling of our author's time, was tottering, is used for tatter'd. The active and passive participles are employed by him very indiscriminately. MALONE.

It is remarkable through such old copies of our author as I have hitherto seen, that wherever the modern editors read tatter'd, the old editions give us totter'd in its room. Perhaps the present broad pronunciation, almost peculiar to the Scots, was at that time common to both nations.

So, in Marlowe's King Edward II. 1598 :

Last in the field, and almost lords of it!

Enter a Messenger,

MESS. Where is my prince, the Dauphin?

LEW.

Here:-What news?

MESS. The count Melun is slain; the English

lords,

By his persuasion, are again fallen off:

And your supply, which you have wish'd so long,
Are cast away, and sunk, on Goodwin sands.

LEW. Ah, foul shrewd news!-Beshrew thy very heart!

I did not think to be so sad to-night,

As this hath made me.-Who was he, that said, King John did fly, an hour or two before

The stumbling night did part our weary powers? MESS. Whoever spoke it, it is true, my lord. LEW. Well; keep good quarter, and good care to-night;

The day shall not be up so soon as I,

To try the fair adventure of to-morrow. [Exeunt.

Again :

"This tottered ensign of my ancestors."

"As doth this water from my totter'd robes."

Again, in The Downfall of Robert Earl of Huntington, 1601: "I will not bid my ensign-bearer wave

"My totter'd colours in this worthless air."

I read tatter'd, an epithet which occurs again in King Lear and Romeo and Juliet. Of tattering (which would obviously mean tearing to tatters) our author's works afford no parallel.

STEEVENS.

Mr. Steevens says there is no parallel for this phraseology in our author's works; but see his own note on all-obeying, in Antony and Cleopatra, vol. xii. p. 326, n. 8. BOSWELL.

6keep good QUARTER,] i. e. keep in your allotted posts or stations. So, in Timon of Athens :

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SCENE VI.

An open Place in the Neighbourhood of SwinsteadAbbey.

Enter the Bastard and HUBERT, meeting.

HUB. Who's there? speak, ho! speak quickly, or I shoot.

BAST. A friend :-What art thou?

HUB.

Of the part of England

BAST. Whither dost thou go?

HUB What's that to thee? Why may not I de

mand

Of thine affairs, as well as thou of mine?

BAST. Hubert, I think.

HUB.

Thou hast a perfect thought":

I will, upon all hazards, well believe

Thou art my friend, that know'st my tongue so well: Who art thou?

BAST.

Who thou wilt: an if thou please,

Thou may'st befriend me so much, as to think
I come one way of the Plantagenets.

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HUB. Unkind remembrance! thou, and eyeless night,

PERFECT thought:] i. e. a well-informed one. So, in Cymbeline:

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8 thou, and EYELESS night,] The old copy reads-endless.

STEEVENS. We should read eyeless. So, Pindar calls the moon, the eye of night. WARBURTON.

This epithet I find in Jarvis Markham's English Arcadia, 1607: O eyeless night, the portraiture of death!"

66

Again, in Gower, De Confessione Amantis, lib. v. fol. 102, b.: "The daie made ende, and loste his sight,

"And comen was the darke night,

"The whiche all the daies eie blent." STEEVENS.

Have done me shame :-Brave soldier, pardon me, That any accent, breaking from thy tongue, Should 'scape the true acquaintance of mine ear. BAST. Come, come; sans compliment, what news abroad?

HUB. Why, here walk I, in the black brow of night,

To find you out.

BAST.

Brief, then; and what's the news? HUB. O, my sweet sir, news fitting to the night, Black, fearful, comfortless, and horrible.

BAST. Show me the very wound of this ill news; I am no woman, I'll not swoon at it.

HUB. The king, I fear, is poison'd by a monk': I left him almost speechless, and broke out To acquaint you with this evil; that you might The better arm you to the sudden time,

The emendation was made by Mr. Theobald. With Pindar our author had certainly no acquaintance; but, I believe, the correction is right. Shakspeare has, however, twice applied the epithet endless to night, in King Richard II.:

"Then thus I turn me from my country's light, "To dwell in solemn shades of endless night." Again:

"My oil-dry'd lamp

"Shall be extinct with age and endless night."

But in the latter of these passages a natural, and in the former, a kind of civil, death, is alluded to. In the present passage the epithet endless is inadmissible, because, if understood literally, it is false. On the other hand, eyeless is peculiarly applicable. The emendation is also supported by our author's Rape of Lucrece :

"Poor grooms are sightless night; kings, glorious day."

MALONE.

9 The king, I fear, is poison'd by a monk :] Not one of the historians who wrote within sixty years after the death of King John, mentions this very improbable story. The tale is, that a monk, to revenge himself on the king for a saying at which he took offence, poisoned a cup of ale, and having brought it to his majesty, drank some of it himself, to induce the king to taste it, and soon afterwards expired. Thomas Wykes is the first, who relates it in his Chronicle, as a report. According to the best accounts, John died at Newark, of a fever. MALONE.

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