...into my thoughts. It was sombre enough, too, and pitiful— net extraordinary in any way — not vfy clear either. No, not very clear. And yet it seemed to throw a kind of ligh'."I had then, as you remember, "TOt returned to London after a lot of iv dlan ocean, Pacific,...

...seemed somehow to throw a kind of light on everything about me — and into my thoughts. It was sombre enough too — and pitiful — not extraordinary in...clear. And yet it seemed to throw a kind of light. — JOSEPH CONRAD, "Youth" As practice work, it is well to study out time schemes in narrative structures...

...to jthrow a kfr]id of light 0*1 jgggytfriag. abont"^-' ~ me — and into my thoughts. It was sombre enough, too — and pitiful — not extraordinary...loafing about, hindering you fellows in your work and ,„ ,^/j. •Wx&'i 52 HEART OF DARKNESS invading your homes, just as though I had got a heavenly mission...

...seemed somehow to throw a kind of light on everything about me - and into my thoughts. It was sombre enough, too - and pitiful - not extraordinary in any...clear. And yet it seemed to throw a kind of light" (7). The title of the story has the same metaphoric resonance. The expression "heart of darkness" recurs...

...seemed somehow to throw a kind of light on everything about me - and into my thoughts. It was sombre enough, too and pitiful - not extraordinary in any...clear. And yet it seemed to throw a kind of light. (51) The technique at work in this passage reminds one of the Greek tragedies in which an actor appeared...

...seemed somehow to throw a kind of light on everything about me - and into my thoughts. It was sombre enough, too - and pitiful - not extraordinary in any...clear. And yet it seemed to throw a kind of light" (32). Marlow's revelation of Kurtz's presiding "at certain midnight dances ending with unspeakable...

...seemed somehow to throw a kind of light on everything about me — and into my thoughts. lt was sombre enough too — and pitiful — not extraordinary in...clear. And yet it seemed to throw a kind of light" (Conrad 11l. Conrad proves that he is a modernist in Heart of Darkness through his use of the psychological,...

..."seemed somehow to throw a kind of light on everything about me — and into my thoughts. It was sombre enough too — and pitiful — not extraordinary in...not very clear, and yet it seemed to throw a kind of light."3 That recounting and accounting centers on an attempt to "render justice," as Marlow puts it...

...experience. It seemed somehow to throw a kind of light on everything about me — and into my thoughts . . . not very clear. And yet it seemed to throw a kind of light. (Conrad 1942, 9) Rather than tell a polished story, Marlow invites the listeners into his inner world....

...me—and into my thoughts. It was sombre enough, too—and pitiful—not extraordinary in any way—not very clear. And yet it seemed to throw a kind of light. " —Joseph Conrad, Heart of Darkness Acknowledgements Due to the seemingly endless obstacles, apparent...