Chaucer to DonneThomas Humphry Ward Macmillan and Company, 1880 |
Dentro del libro
Resultados 1-5 de 42
Página vi
... play lends itself to selection less than any other form of literature . But where a play is only a play in name , like Comus or the Gentle Shepherd , we have not excluded it ; and songs from the dramatists have of course been admitted ...
... play lends itself to selection less than any other form of literature . But where a play is only a play in name , like Comus or the Gentle Shepherd , we have not excluded it ; and songs from the dramatists have of course been admitted ...
Página xiii
... Plays : • Sappho's Song ( from Sappho and Phao ) • Apelles ' , Song ( from Alexander and Campaspe ) Pan's Song ( from Midas ) GEORGE PEELE ( 15587-1592 ? ) · A Farewell to Sir John Norris and Sir Francis Drake W. Minto 394- 396 396 ...
... Plays : • Sappho's Song ( from Sappho and Phao ) • Apelles ' , Song ( from Alexander and Campaspe ) Pan's Song ( from Midas ) GEORGE PEELE ( 15587-1592 ? ) · A Farewell to Sir John Norris and Sir Francis Drake W. Minto 394- 396 396 ...
Página xiv
Thomas Humphry Ward. Songs from Plays : PAGE A Morning Song for Imogen ( from Cymbeline ) Silvia ( from The Two Gentlemen of Verona ) Sigh no more , Ladies ( from Much Ado about Nothing ) A Lover's Lament ( from Twelfth Night ) Ariel's ...
Thomas Humphry Ward. Songs from Plays : PAGE A Morning Song for Imogen ( from Cymbeline ) Silvia ( from The Two Gentlemen of Verona ) Sigh no more , Ladies ( from Much Ado about Nothing ) A Lover's Lament ( from Twelfth Night ) Ariel's ...
Página xxi
... playing round a classic is a mist as dangerous to the future of a literature as it is intolerable for the purposes of history . ' ' It hinders , ' he goes on , ' it hinders us from seeing more than one single point , the culminating and ...
... playing round a classic is a mist as dangerous to the future of a literature as it is intolerable for the purposes of history . ' ' It hinders , ' he goes on , ' it hinders us from seeing more than one single point , the culminating and ...
Página 6
... plays a far larger part in Chaucer's work than do the classical writers . Whether or not his name implies that he was partly French in blood , he certainly spent some time in France , first as a prisoner of war ( A.D. 1359 ) and ...
... plays a far larger part in Chaucer's work than do the classical writers . Whether or not his name implies that he was partly French in blood , he certainly spent some time in France , first as a prisoner of war ( A.D. 1359 ) and ...
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Términos y frases comunes
Aeneid Astrophel and Stella ballads beauty behold bliss Caelica Chaucer Clerk Saunders Creusa dead dear death delight doth Edom Elizabethan England's Helicon English eyes Faery Queen fair fayre fear flowers genius Glasgerion gold grace gret grief gude hand hart hast hath heart heaven herte hire honour king Kinmont Willie lady light live Lord lovers Marlowe mind mony never night nocht nought passion Petrarch play pleasure poems poet poetical poetry praise Quhat Quhen Quhilk quoth rich Robin Robin Hood sall satire sche Scotch Shakespeare Sidney Sidney's sighs sight sing sleep song sonnets sorrow soul Spenser sweet Tamburlaine tell thair thay thee ther thine thing thou thought thow Timor Mortis conturbat true unto Venus Venus and Adonis verse virtue whan wolde words write
Pasajes populares
Página 445 - Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
Página 452 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means, which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 444 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Página 444 - When in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man's art, and that man's scope...
Página xlii - Faith, he maunna fa' that! For a' that, and a' that; Their dignities, and a' that, The pith o' sense, and pride o' worth, Are higher ranks than a' that. Then let us pray that come it may,— As come it will for a' that,— That sense and worth, o'er a' the earth, May bear the gree, and a
Página 446 - O, how much more doth beauty beauteous seem By that sweet ornament which truth doth give! The rose looks fair, but fairer we it deem For that sweet odour which doth in it live.
Página 343 - With how sad steps, O Moon, thou climb'st the skies ; How silently ; and with how wan a face ! What ! may it be, that even in heavenly place That busy Archer his sharp arrows tries...
Página 442 - Proving his beauty by succession thine! This were to be new made when thou art old, And see thy blood warm when thou feel'st it cold.
Página 457 - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl...
Página xxvii - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?