The Languages of Criticism and the Structure of PoetryUniversity of Toronto Press, 1953 M12 15 - 214 páginas These vigorous lectures deal with some of the many ways in which the question of structure in poetry (here synonymous with the whole range of artistic creation in words) can be discussed. Criticism has never been, Professor Clare argues, a single discipline, but a collection of more and less distinct conceptual "languages," within any one of which a literary problem takes on a special solution. The Alexander Lectures for 1952. |
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... approach to the same rigour of analysis and statement. I should want to distinguish, with Northrop Frye in his essay on “The Function of Criticism at the Present Time,” between the criticism which thus aspires to be “a learning” and two ...
... approach to the same rigour of analysis and statement. I should want to distinguish, with Northrop Frye in his essay on “The Function of Criticism at the Present Time,” between the criticism which thus aspires to be “a learning” and two ...
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... approach among others, and be recommended for what it can accomplish only to those who, like myself, want to accomplish this kind of thing. After what I have just said, I cannot avoid mentioning gratefully the name of the scholar ...
... approach among others, and be recommended for what it can accomplish only to those who, like myself, want to accomplish this kind of thing. After what I have just said, I cannot avoid mentioning gratefully the name of the scholar ...
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... approach to the subject of these lectures, we must first attempt to account in some fashion for the extraordinary confusion of opposing doctrines and interpretations in which the problem of poetic structure, as it presents itself to us ...
... approach to the subject of these lectures, we must first attempt to account in some fashion for the extraordinary confusion of opposing doctrines and interpretations in which the problem of poetic structure, as it presents itself to us ...
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... approach to it must be by way of “an exact and sensitive study of the quality of the verse, of the rhythm and imagery, of the controlled associations of the words and their emotional and intellectual force, in short by an exact and ...
... approach to it must be by way of “an exact and sensitive study of the quality of the verse, of the rhythm and imagery, of the controlled associations of the words and their emotional and intellectual force, in short by an exact and ...
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... approaches—for example, as historical, biographical, psychological, aesthetic, moral, sociological, and the like— would suggest. It is common, thus, to say that both Longinus and Coleridge are psychological critics; but the ...
... approaches—for example, as historical, biographical, psychological, aesthetic, moral, sociological, and the like— would suggest. It is common, thus, to say that both Longinus and Coleridge are psychological critics; but the ...
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abstract action acts analysis applied approach Aristotle artistic aspects assumption attempt basic better causes character characteristic clearly common completely concepts concern concrete consequences consider construction criticism deal defined definition determined discourse discussion distinctive distinguished drama effect elements emotional essential example existence experience expression fact finally formal give given hence human hypothesis ideas imaginative imitative important individual inquiry interpretation kind knowledge language least lectures less literary literature logical Macbeth manner material matter means merely method mind modes moral nature necessary necessity object particular patterns play pleasure plot poems poet poetic poetry possible practical principles problem productions qualities questions reason relation relative respect result rhetoric sense Shakespeare simply specific statements structure symbolic taken theory things thought tragedy tragic true universal various whole writing