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3.

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret

Here, where men sit and hear each other
groan;

Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and
dies;

Where but to think is to be full of sorrow
And leaden-eyed despairs,

Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-

morrow.

4.

Away! away! for I will fly to thee,

Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,

Save what from heaven is with the breezes
blown

Through verdurous glooms and winding
mossy ways.
5.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer

eves.

6.

Darkling I listen; and, for many a time

I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath;

Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy!

Still wouldst thou sing, and I have ears in vain

To thy high requiem become a sod.

7.

Thou was not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for
home,

She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in fairy-lands forlorn.

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THOU still unravish'd bride of quietness!
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,

In Tempe or the dales of Arcady?
What men or gods are these? What maidens
loath?

What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

2.

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not
leave

Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal-yet, do not
grieve;

She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

3.

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,

For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,

For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
4.

Who are these coming to the sacrifice?

To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,

Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell

Why thou art desolate, can e'er return.

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5.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity: Cold Pastoral!

When old age shall this generation waste,

Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,"—that is all Ye know on earth, and all ye need to know.

ODE TO PSYCHE.

O GODDESS! hear these tuneless numbers, wrang
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung,
Even into thine own soft-couched ear:
Surely I dreamt to-day, or did I see

The winged Psyche with awaken'd eyes!
I wander'd in a forest thoughtlessly,

And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side In deepest grass, beneath the whisp'ring roof Of leaves and trembled blossoms, where there

ran

A brooklet, scarce espied:
'Mid hush'd, cool-rooted flowers, fragrant-eyed,
Blue, silver-white, and budded Tyrian,
They lay calm-breathing on the bedded grass;
Their arms embraced, and their pinions too;
Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of Aurorean love :
The winged boy I knew;

But who wast thou, O happy, happy dove?
His Psyche true!

O latest-born and loveliest vision far
Of all Olympus' faded hierarchy !
Fairer than Phoebe's sapphire-region'd star,

Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none, Nor altar heap'd with flowers;

Nor virgin-choir to make delicious moan
Upon the midnight hours;

No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;

No shrine, no grove, no oracle, no heat
Of pale-mouthed prophet dreaming.

O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retired
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspired.
So let me be thy choir, and make a moan
Upon the midnight hours;

Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;

Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.

Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new-grown with
pleasant pain,

Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged, mountains steep by
steep;

And there by zephyrs, streams, and birds, and bees,

The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress

With the wreathed trellis of a working brain, With buds, and bells, and stars without a

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EVER let the Fancy roam,
Pleasure never is at home:

At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let winged Fancy wander
Through the thoughts still spread beyond her:
Open wide the mind's cage-door,
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer's joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
Sit thee by the ingle, when
The sear fagot blazes bright,
Spirit of a winter's night;

When the soundless earth is muffled,
And the caked snow is shuffled
From the plowboy's heavy shoon ;
When the Night doth meet the Noon
In a dark conspiracy

To banish Even from her sky.
Sit thee there, and send abroad,
With a mind self-overaw'd,

Fancy, high commission'd: send her!
She has vassals to attend her:
She will bring, in spite of frost,
Beauties that the earth hath lost;
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heaped Autumn's wealth,
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,

And thou shalt quaff it :-thou shalt hear
Distant harvest-carols clear;

Rustle of the reaped corn;
Sweet birds antheming the morn:
And, in the same moment-hark!
'Tis the early April lark,
Or the rooks, with busy caw,
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plumed lilies, and the first
Hedge-grown primrose that hath burst;
Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower
Pearled with the self-same shower.
Thou shalt see the field-mouse peep
Meager from its celled sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree,
When the hen-bird's wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm

When the bee-hive casts its swarm ;
Acorns ripe down-pattering,
While the autumn breezes sing.

O, sweet Fancy! let her loose;
Every thing is spoilt by use:
Where's the cheek that doth not fade,
Too much gazed at? Where's the maid
Whose lip mature is ever new?
Where's the eye, however blue,
Doth not weary? Where's the face
One would meet in every place?
Where's the voice, however soft,
One would hear so very oft?
At a touch sweet Pleasure melteth
Like to bubbles when rain pelteth.
Let, then, winged Fancy find
Thee a mistress to thy mind:
Dulcet-eyed as Ceres' daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe's when her zone
Slipt in golden clasp, and down

= Fell her kirtle to her feet,

While she held the goblet sweet,

And Jove grew languid.-Break the mesh
Of the Fancy's silken leash;
Quickly break her prison-string,
And such joys as these she'll bring.—
Let the winged Fancy roam,
Pleasure never is at home.

ODE.

BARDS of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Double-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wondrous,
And the parle of voices thund'rous;

With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.

Thus ye live on high, and then On the earth ye live again; And the souls ye left behind you Teach us, here, the way to find you, Where your other souls are joying, Never slumber'd, never cloying. Here, your earth-born souls still speak To mortals, of their little week; Of their sorrows and delights; Of their passions and their spites; Of their glory and their shame; What doth strengthen and what maim. Thus ye teach us, every day, Wisdom, though fled far away.

Bards of Passion and of Mirth, Ye have left your souls on earth! Ye have souls in heaven too, Double-lived in regions new!

ROBIN HOOD.

TO A FRIEND.

No! those days are gone away,
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have Winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.

No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill

Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amazed to hear Jesting, deep in forest drear.

On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can

Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale.

Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grené shawe;" All are gone away and past! And if Robin should be cast Sudden from his tufted grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dock-yard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her-strange! that honey Can't be got without hard money!

So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn? Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by, Let us two a burden try.

TO AUTUMN.

SEASON of mists and mellow fruitfulness!

Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves'

run;

To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel-
shells

With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy
cells.

Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind;

Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook

Spares the next swath and all its twined flowers;

And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,

Thou watchest the last oozings, hours by
hours.

Where are the songs of Spring? Ay, where are they?

Think not of them, thou hast thy music too,While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft

Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

ODE ON MELANCHOLY.

No, no, go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous
wine;

Nor suffer thy pale forehead to be kiss'd
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,

Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul

But when the melancholy fit shall fall

Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose,

Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Imprison her soft hand, and let her rave,

And feed deep, deep upon her peerless eyes.

She dwells with Beauty-Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Ay, in the very temple of Delight

Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strens

ous tongue

Can burst Joy's grape against his palate fine; His soul shall taste the sadness of her might, And be among her cloudy trophies hung.

LEIGH HUNT.

LEIGH HUNT is the son of a clergyman of the complexion, are dark-but they have a gentle exChurch of England, and was born at Southgate, pression, akin to that of the gazelle. His look in Middlesex, October the 19th, 1784. He, as and his manner are both kindly and persuasive; well as Coleridge and Lamb, received his early indeed we have rarely met any one who so comeducation at Christ's Hospital, and chiefly under pletely realizes our notions of benevolence. His the same grammar-master; and, like Lamb, he conversation is exquisitely pleasing,-"combining was prevented from going to the University (on the vivacity of the school boy with the resources the Christ's Hospital foundation, it is understood of the wit, and the taste of the scholar." We to be a preparatory step to holy orders) by an im- know little of his political writings; they must pediment in his speech-which, however, he had have been fierce and bitter,-for they alarmed his the good fortune to overcome. At school, as in opponents, and delighted and encouraged his after life, he was remarkable for exuberance of friends; but unquestionably the MAN is to be seen animal spirits, and for passionate attachment to his friends,—a feeling, also, which years have not diminished; but he evinced little care for study, except when the exercises were in verse, when he would "give up" double the quantity demanded from him. His prose themes (he has told us among other interesting facts) were generally so bad, that the master used to crumple them in his hand, and throw them to the boys for their amusement. Mr. Hunt has been an ardent though never an ungenerous, political partisan, and has suffered in almost every possible way for the advocacy of opinions, which, whether right or wrong, he has lived to see in a great measure triumph. He is not the only early struggler for "Reform," who has been left by Reformers in power, to be recompensed by his own feelings.

The acquaintance of Mr. Hunt and Lord Byron began in prison, where Mr. Hunt was confined for the publication of an article in the "Examiner," which he then conducted. It was pronounced to be a libel on the Prince Regent ;-and originated n his sympathy with the sufferings of the people of Ireland. To the history of their after intercourse we have not space to refer. Time has pretty nearly satisfied the world that Mr. Hunt by 10 means overdrew the picture of the noble Bard. The leading feature in Mr. Hunt's character is a ove of truth. This was unpalatable to Lord Byron, and, for a time also, to the public. Aninal spirits, a power of receiving delight from the commonest every-day objects, as well as from renote ones, and a sort of luxurious natural piety, so to speak,) are the prevailing influences of his writings. His friend, Hazlitt, used to say of him, n allusion to his spirits, and to his family stock which is from the West Indies,) that he had 'tropical blood in his veins."

In person he is tall, and slightly formed; his ountenance is singularly fine; his eyes, like his

in the tender, graceful, and affectionate effusions of the Poet. He is only at home where the heart presides. In the earlier part of his career, his opinions were assailed with the severest hostility. He has outlived the animosity to which he was subjected; the misfortunes to which he has been exposed have been met with philosophy; and his enemies have, like generous antagonists, aided in binding up the wounds they had inflicted. He has at length received justice from all,-save his political "friends."

The poetry of Leigh Hunt has been, and ever will be, appreciated, by all who love nature, and sympathize with humanity. It is liable to the charge of occasional affectation; and it is to be lamented that, at times, he defaces the beauty of a composition by some trifling puerilities. Mr. Hazlitt appears to have divined the cause of these defects. "From great sanguineness of temper, from great quickness and unsuspecting simplicity, he runs on to the public as he does at his own fireside, and talks about himself, forgetting that he is not always among friends." This disposition, however, is also the main source of his success. His nature is essentially GOOD; and what he writes makes its way to the heart. The models he consults are the true old English Poets; and the gayer spirits of Italy. He is a scholar, and "a special lover of books;" yet we never find in him a touch of pedantry. His poetry is like his mind,-a sort of buoyant outbreak of joyousness; and when a tone of sadness pervades it, is so gentle, confiding, and hoping, as to be far nearer allied to resigna. tion than repining. Perhaps there is no Poet who so completely pictures himself; it is a fine and natural and all-unselfish egotism; and a glorious contrast to the gloomy and misanthropic moods which some Bards have laboured first to acquire, and then to portray.

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