The Mental Anatomies of William Godwin and Mary Shelley

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Fairleigh Dickinson Univ Press, 2001 - 246 páginas
This book explores the influence of Enlightenment and Romantic-era theories of the mind on the writings of Godwin and Shelley and examines the ways in which these writers use their fiction to explore such psychological phenomena as ruling passions, madness, the therapeutic value of confessions (both spoken and written), and the significance of dreams. Unlike most studies of Godwin and Shelley, it does not privilege their masterworks -- for the most part, it focuses on their lesser-known writings. Brewer also considers the works of other Romantic-era writers, as well as the seventeenth- and eighteenth-century philosophical and medical theories that informed Godwin's and Shelley's presentations of mental states and types of behavior.

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Contenido

The Transparent Mind
30
The Ruling Passions
86
Episodes of Madness
129
The Therapeutic Value of Language
157
Dreams
183
Notes
213
Bibliography
233
Index
242
Derechos de autor

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Página 215 - I shall not at present meddle with the physical consideration of the mind, or trouble myself to examine wherein its essence consists, or by what motions of our spirits, or alterations of our bodies, we come to have any sensation by our organs, or any ideas in our understandings; and whether those ideas do, in their formation, any or all of them, depend on matter or no...
Página 198 - I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that 1 held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the graveworms crawling in the folds of the flannel.
Página 23 - Ideas that in themselves are not all of kin, come to be so united in some men's minds, that it is very hard to separate them; they always keep in company, and the one no sooner at any time comes into the understanding, but its associate appears with it; and if there are more than two which are thus united, the whole gang, always inseparable, show themselves together.
Página 86 - Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Página 183 - When I placed my head on my pillow, I did not sleep, nor could I be said to think. My imagination, unbidden, possessed and guided me, gifting the successive images that arose in my mind with a vividness far beyond the usual bounds of reverie.
Página 170 - I pass, like night, from land to land; I have strange power of speech ; That moment that his face I see, I know the man that must hear me: To him my tale I teach.
Página 89 - And hence one master passion in the breast, Like Aaron's serpent, swallows up the rest.
Página 183 - I saw — with shut eyes, but acute mental vision — I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half vital motion.
Página 131 - ... they do not appear to me to have lost the faculty of reasoning, but having joined together some ideas very wrongly, they mistake them for truths, and they err as men do that argue right from wrong principles ; for by the violence of their imaginations, having taken their fancies foi realities, they make right deductions from them.
Página 39 - Je puis faire des omissions dans les faits, des transpositions, des erreurs de dates ; mais je ne puis me tromper sur ce que j'ai senti, ni sur ce que mes sentiments m'ont fait faire : et voilà de quoi principalement il s'agit.

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