NOTES AND ILLUSTRATIONS.

ESTHETICAL AND LITERARY.

1. Of Literary Biography and Monuments.

(a) A Letter to a Friend of Robert Burns, 1816.

P. 5, 1. 1. James Gray, Esq. Wordsworth was justified in naming Gray a 'friend' of Burns. He was originally Master of the High School, Dumfries, and associated with the Poet there. Transferred to the High School of Edinburgh, he taught for well-nigh a quarter of a century with repute. Disappointed of the Rectorship, he retired from Edinburgh to an academy at Belfast. Later, having entered holy orders, he proceeded to India as a chaplain in the East India Company's service. He was stationed at Bhooj, in Cutch, near the mouth of the Indus; and the education of the young Rao of that province having been intrusted to the British Government, Gray was selected as his instructor-being the first Christian honoured with such an appointment in the East. He died at his post in 1830, deeply regretted. He was author of 'Cuna of Cheyd' and the 'Sabbath among the Mountains,' and many other things, original and editorial. He left a Ms. poem, entitled 'India,' and a translation of the Gospels into the Cutch dialect of Hindoostanee. He will hold a niche in literature as the fifteenth bard in the Queen's Wake' who sings of King Edward's Dream.' He married a sister of Mrs. Hogg.

P. 5, footnote. Peterkin was a laborious compiler; but his Lives of Burns and Fergusson are written in the most high-flown and exaggerated style imaginable. He died in 1847.

....

P. 5, 1. 9. Mr. Gilbert Burns ... a favourable opportunity,' &c. This excellent, common-sensed, and humble man's contributions to the later impressions (1804, &c.) of Dr. Currie's edition of Burns are of permanent value-very much more valuable than later brilliant productions that have displaced them. Peterkin's Burns there is a letter from Gilbert Burns to him, dated September 29th, 1814.

In

P. 7. Verse-quotation from Burns. From 'Address to the Unco Guid, or the Rigidly Righteous' (closing stanzas).

P. 15. Verse-quotation. From Burns' 'A Bard's Epitaph.'

P. 17, footnote. Long before Wordsworth, Thomas Watson, in his 'Epistle to the Frendly Reader' prefixed to his 'EKATOMпA@IA (1582), wrote: As for any Aristarchus, Momus, or Zoilus, if they pinch me more than is reasonable, thou, courteous Reader, which arte of a better disposition, shalt rebuke them in my behalfe; saying to the first [Aristarchus], that my birdes are al of mine own hatching,' &c.

P. 21, 11. 30-37, Chatterton; 11. 38-40, &c., Michael Bruce. Both of the suggested monuments have been raised; Chatterton's at Bristol, and Bruce's over his grave. A photograph of the latter is given in our quarto edition of his Poems.

II. Upon Epitaphs.

P. 27, 1. 10. Camden. Here and throughout the quotations (modernised) are from 'Remaines concerning Britain: their

Written by William Camden, Esquire, Clarenceux King of Armes, surnamed the Learned. The sixth Impression, with many rare Antiquities never before imprinted. By the Industry and Care of John Philpot, Somerset Herald: and W. D. Gent. London, 1657, 4to. Epitaphes, pp. 355-409.' It has not been deemed necessary to point out the somewhat loose character of the quotations from Camden by Wordsworth; nor, with so many editions available, would it have served any good end to have given the places in the 'Epitaphes.' While Wordsworth evidently read both Camden and Weever, his chief authority seems to have been a book that appeared on the sale of his library, viz. ' Wit's Recreations; containing 630 Epigrams, 160 Epitaphs, and variety of Fantasies and Fantastics, good for Melancholy Humours. 1641.'

P. 27, 1. 16. This verse-rendering of 'Mæcenas' is by Wordsworth, not Camden-the quotation from whom here ought to have been marked with an inverted comma (') after relictos.

P. 27, 1. 22. Weever. The title in full is as follows: Ancient Fvnerall Monvments within the Vnited Monarchie of Great Britaine, Ireland, and the Islands adiacent, with the dissolued Monasteries therein contained: their Founders, and what eminent Persons haue beene in the same interred. As also the Death and Bvriall of Certaine of the Blood Royall, the Nobilitie and Gentrie of these Kingdomes entombed in forraine Nations. A work reuiuing the dead memorie of the Royal Progenie, the Nobilitie, Gentrie, and Communaltie of these his Maiesties Dominions. Intermixed and Illustrated with variety of Historicall obseruations, annotations, and briefe notes, extracted out of approued Authors, infallible Records, Lieger Bookes, Charters, Rolls, old Manuscripts, and the Collections of iudicious Antiquaries. Whereunto is prefixed a Discourse of Funerall Monuments. Of the Foundation and Fall of Religious Houses. Of Religious Orders. Of the Ecclesiasticall estate of England. And of other occurrences touched vpon by the way, in the whole passage of these intended labours. Composed by the Studie and Trauels of John Weever. Spe labor leuis. London. 1631, folio.' As with Camden, Wordsworth quotes Weever from memory (apparently) throughout.

P. 27, 1. 23. Query-' or fore-feeling'?

P. 32, 1. 6. Pause, Traveller.' The Siste viator' was kept up long after such roadside interments were abandoned. Crashaw's Epitaph for Harris so begins; e.g. 'Siste te paulum, viator,' &c. (Works, vol. ii. p. 378, Fuller Worthies' Library.)

P. 33. John Edwards; verse-quotation. Query-the author of 'Kathleen' (1808), 'Abradates and Panthea' (1808), &c.?

P. 40. At close; verse-quotation. From Milton, Ep. W. Sh.

P. 41. Verse-heading. From Gray's 'Elegy.' En passant, be it noted that on 1st June 1875, at Sotheby's, the original ms. of this Elegy was sold for upwards of 300 guineas to Sir William Fraser.

P. 45, 1. 28. Read 'mearely'=merrily, as 'merrely' onward.

P. 49. 11. 7-14. On these lines, alleged to have been written by Montrose, see Dr. Hannah's Courtly Poets' (1870), p. 207, and numerous references. It may be noted that in line 2 Wordsworth changes too rigid' into 'so rigid;' and 1. 7, trumpet' into 'trumpets.'

P. 49, 11. 30-2. Verse-quotation. Milton, 'Paradise Lost,' book vi. ll. 754-6. P. 66 (bottom). Epitaph on Mrs. Clark- i. e. Mrs. Jane Clarke. In 1. 1,

Gray wrote, not 'the,' but 'this;' which in the light of the criticism it is important to remember.

P. 73-75. Long verse-quotation. From the Excursion,' book vii. 11. 400-550. Note the 'Various Readings.'

III. Essays, Letters, and Notes elucidatory and confirmatory of the Poems. (a) of the Principles of Poetry and the ' Lyrical Ballads.'

P. 85. Verse-quotation. From Gray's Poems, 'Sonnet on the Death of Mr. Richard West.'

P. 99, 1. 30. Sir Joshua Reynolds. For Wordsworth's critical verdict on his literary work as well as his painting, see Letters in present volume, pp. 153-157, et alibi.

(c) Poetry as a study.

P. 112, 11. 6-7. Quotation from Spenser, Fairy Queen,' b. i. c. i. st. 9, 1. 1. P. 113, footnote. Hakewill. The work intended is 'An Apologie or Declaration of the Power and Providence of God in the Government of the World.' Oxford, 1627 (folio), and later editions. He was George Hakewill, D.D., Archdeacon of Surrey. Died 1649. P. 115, 11. 36-7. '1623 to 1664 . . . only two editions of the Works of Shakspeare.' The second folio of 1632 and that of 1663 (same as 1664) are here forgotten, and also the abundant separate reprints of the separate Plays and Poems.

P. 123, 1. 6. Mr. Malcom Laing, a historian of Scotland 'from the Union of the Crowns to the Union of the Kingdoms in the Reign of Queen Anne' (4th edition, 1819, 4 vols.), who, in an exhaustive and drastic style, disposed of the notorious 'Ossian' fictions of Macpherson.

P. 130, 11. 12-14. Verse-quotation. From the 'Prelude.'

(d) Of Poetry as Observation and Description.

P. 134, 11. 3-4 (at bottom). Verse-quotation. From 'A Poet's Epitaph' (VIII. 'Poems of Sentiment and Reflection').

P. 136, 11. 7-8. Verse-quotation. From Shakspeare, Lear,' iv. 6.

P. 136, 11. 17-24. Verse-quotation. From Milton, 'Paradise Lost,' book ii. ll. 636-43.

P. 139, 11. 10-11. Verse-quotation. Ibid. book vi. 11. 767-8.

P. 140, 11. 10-11. Verse-quotation. From Shakspeare, ' Lear,' iii. 2.

P. 141, II. 1-2. Verse-quotation. Ibid. 'Romeo and Juliet,' i. 4.

P. 142, 11. 7-8. 12-13. Verse-quotation. From Milton, 'Paradise Lost,' book ix. 1002-3.

P. 143. Long verse-quotation. Charles Cotton, the associate' Angler' of Walton 'for all time,' and of whom, as a Poet, Abp. Trench, in his 'Household Book of English Poetry,' has recently spoken highly yet measuredly.

P. 152, footnote *. Various Readings. (1) 'Sonnet composed at .' Such is the current heading of this Sonnet in the Poems (Rossetti, p. 177). In the мS. it runs, 'Written at Needpath (near Peebles), Mansion of the Duke of Queensbury' (sic); and thus opens:

instead of,

'Now, as I live, I pity that great lord!

Whom pure despite of heart,' &c. ;

'Degenerate Douglas! oh, the unworthy lord!
Whom mere,' &c.

(2) To the Men of Kent, October 1803. In 1. 3, the мs. reads:

'Her haughty forehead 'gainst the coast of France,'

for 'brow against.' Line 7, 'can' for 'may.' (3) 'Anticipation,' October 1803. Line 12 in мs. reads:

for,

In 1. 14:

for,

P. 161, 1. 22.

'The loss and the sore prospect of the slain,'

'And even the prospect of our brethren slain.'

'True glory, everlasting sanctity,'

'In glory will they sleep and endless sanctity.'

Milton compares,' &c. In 'Paradise Lost,' ii. 636-7. P. 163, 1. 2. ‘Duppa is publishing a Life of Michael Angelo,' &c. It appeared in 1806 (4to); reprinted in Bohn's 'Illustrated Library.'

P. 163, footnote *. Alexander Wilson, who became the renowned Ornitho logist' of America, was for years a 'pedlar,' both at home and in the United States. His intellectual ability and genius would alone have given sanction to Wordsworth's conception; but as simple matter-of-fact, the class was a peculiarly thoughtful and observant one, as the Biographies of Scotland show. P. 167, 11. 30-1. 'A tale told,' &c. From Shakspeare, 'Macbeth,' v. 5.

P. 170, 1. 34. Houbraken,' &c. Reissued from the old copper-plates. P. 171, 1. 30. 'I have never seen the works,' &c. In the Fuller Worthies' Library I have collected the complete Poems of Sir John Beaumont, 1 vol.

Pp. 178-9. Quotation (bottom). From Milton, 'Paradise Lost,' book iv. 11. 604-9; but How' is inadvertently substituted for 'Now.'

P. 196, 1. 35. John Dyer. Wordsworth's repeated recognition and lofty estimate of Dyer recalls the fact that a collection of his many-sided Writings is still a desideratum that the present Editor of Wordsworth's Prose hopes some day to supply-invited to the task of love by a lineal descendant.

(h) Of the Principles of Poetry and his own Poems.

P. 211, 11. 24-5. Verse-quotation from Cowper: more accurately it reads: 'The jay, the pie, and even the boding owl

That hails the rising moon, have charms for me.'

('The Task,' b. i. 11. 205-6.)

IV. DESCRIPTIVE.

(a) A Guide through the District of the Lakes.

P. 217. It seems somewhat remarkable that Wordsworth nowhere mentions the following work: Remarks made in a Tour from London to the Lakes of Westmoreland and Cumberland in the Summer of MDCCXCI., originally published in the Whitehall Evening Post, and now reprinted with additions and corrections. . . . By A. Walker, Lecturer,' &c. 1792, 8vo. Wordsworth could not have failed to be interested in the descriptions of this overlooked book. They are open-eyed, open-eared, and vivid. I would refer especially to the Letters on Windermere, pp. 58-60, and indeed all on the Lakes. Space can only be found for a short quotation on Ambleside (Letter xiii., August 18, 1791): ‘We now leave Low Wood, and along the verge of the Lake have a pleasing couple of miles to Ambleside. This is a straggling little market-town, made up of roughcast white houses, but charmingly situated in the centre of three radiant vallies, i. e. all issuing from the town as from a centre. This shows the propriety of the Roman station situated near the west end of this place, called Amboglana, commanding one of the most difficult passes in England. . . . Beautiful woods rise half-way up the sides of the mountains from Ambleside, and seem wishful to cover the naked asperities of the country; but the Iron Works calling for them in the character of charcoal every fourteen or fifteen years, exposes the nakedness of the country. Among these woods and mountains are many frightful precipices and roaring cascades. In a still evening several are heard at once, in various keys, forming a kind of savage music; one, half a mile above the

town in a wood, seems upwards of a hundred feet fall.-About as much water as is in the New River precipitates itself over a perpendicular rock into a natural bason, where it seems to recover from its fall before it takes a second and a third tumble over huge stones that break it into a number of streams. It suffers not this outrage quietly, for it grumbles through hollow glens and stone cavities all the way, till it meets the Rothay, when it quietly enters the Lake' (pp. 71-3). It is odd that a book so matterful, and containing many descriptions equal to this of Ambleside, should be so absolutely gone out of sight. It is a considerable volume, and pp. 1-114 are devoted to the Lake region. Walker, in 1787, issued anonymously An Hasty Sketch of a Tour through Part of the Austrian Netherlands, &c. . . . By an English Gentleman.'

P. 264. Quotation from (eheu! eheu!) the still unpublished poem of 'Gras

mere.'

P. 274. Quotation from Spenser, 'Fairy Queen,' b. iii. c. v. st. 39-40. In st. 39, 1. 8, 'puny' is a misprint for 'pumy'=pumice; in st. 40, 1. 3, ' sang' similarly misreads 'song'sung, or were singing.

P. 284. Verse-quotation. From Sonnet on Needpath Castle,' as ante.
P. 296, footnote. Lucretius, ii. 772 seq.; and cf. v. 482 seq.

(b) Kendal and Windermere Railway.

P. 331. Quotation from Burns,-Verse-letter to William Simpson, st. 14. P. 336. Is this from Dryden? G.

END OF VOL. II.

LONDON:

ROBSON AND SONS, PRINTERS, PANCRAS ROAD, N.W.