When the Theater Turns to Itself: The Aesthetic Metaphor in ShakespeareBucknell University Press, 1981 - 238 páginas A metadramatic study of nine of Shakespeare's plays, focusing on aesthetic metaphors created by the union of the playwright, actor-character, and audience. |
Contenido
| 9 | |
Acknowledgments | 27 |
Language for the Stage | 54 |
A Midsummer Nights Dream | 79 |
Art Perverted | 104 |
As You Like | 121 |
The Double Edge of Aesthetics | 152 |
Love and the Imagination in Antony and Cleopatra | 177 |
Release from the Theater | 192 |
Otras ediciones - Ver todas
When the Theater Turns to Itself: The Aesthetic Metaphor in Shakespeare Sidney Homan Vista de fragmentos - 1981 |
Términos y frases comunes
actor playing aesthetic metaphors Angelo Antony and Cleopatra Arden Armado artifice artist audience Biron Bottom Boyet Caliban Cassio celebration Chapter character Claudius Claudius's comedy comic conscious controlling figure Costard court courtiers critics death Desdemona dimensions Duke Duke's dumb show earlier Elizabethan fictive forest give Hamlet human Iago Iago's illusion imagination impersonating Induction Jaques Juliet Kate ladies language Las Meninas less literally Lord Love's Labour's Lost lover masque Measure for Measure Metadrama Midsummer Night's Dream Miranda mirror Murder of Gonzago nature Oberon Octavius Orlando Othello parody performance perspective Petruchio play's players playwright playwright-director pleasure poetry Polonius Prospero Pyramus and Thisby reality Renaissance role Rosalind scene seems sense sexual Shakespeare shallow Shrew Sly's Sonnets speaks speare's spectator speech stage surely Tempest theatrical thematic Theseus Theseus's thing tion tongue Touchstone tragedy transformation tricks truth ultimately University Press vision vows words