Specimens of Modern English Literary Criticism |
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Página xii
This primary conception of criticism as an expression of personal opinion is
admirably phrased by Professor Saintsbury in his History of Criticism , when ,
speaking of the object of his work , he says , " In the following pages it is
proposed to set ...
This primary conception of criticism as an expression of personal opinion is
admirably phrased by Professor Saintsbury in his History of Criticism , when ,
speaking of the object of his work , he says , " In the following pages it is
proposed to set ...
Página xiii
... vagueness is often a source of disagreement as well as of peace . What , for
example , are “ beautiful objects ” ? What is “ the best that is known and thought
in the world ” ? What , so to speak , are the finger - marks of the " able and honest
...
... vagueness is often a source of disagreement as well as of peace . What , for
example , are “ beautiful objects ” ? What is “ the best that is known and thought
in the world ” ? What , so to speak , are the finger - marks of the " able and honest
...
Página xxii
What , so to speak , is the objective proof for such opinions , what is the
demonstration , what the sanctions for any critical opinion whatsoever ? How can
critical opinion about books be verified , be accepted as of wider than merely
personal ...
What , so to speak , is the objective proof for such opinions , what is the
demonstration , what the sanctions for any critical opinion whatsoever ? How can
critical opinion about books be verified , be accepted as of wider than merely
personal ...
Página xxiii
Speaking , in general , there are two chief classes of proof for critical opinion in
literary matters . These classes may be shown by an analysis of actual critical
essays and books . The first and by far the most common sanction for critical
opinion ...
Speaking , in general , there are two chief classes of proof for critical opinion in
literary matters . These classes may be shown by an analysis of actual critical
essays and books . The first and by far the most common sanction for critical
opinion ...
Página xxix
But the danger is that they will look at an author in terms of a naturally narrow
experience , instead of tak ing him in his own terms , merely , so to speak , as a
matter of fact . A student will sometimes assert , with undoubted truth , surely , that
he ...
But the danger is that they will look at an author in terms of a naturally narrow
experience , instead of tak ing him in his own terms , merely , so to speak , as a
matter of fact . A student will sometimes assert , with undoubted truth , surely , that
he ...
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Términos y frases comunes
acting admiration appears artistic attempt beauty become better called character Chaucer common course criticism distinction effect English equal essay estimate example excellent existence expression eyes fact faculty feeling genius give given hand human idea imagination important impression interest kind language least less light lines literary literature living look manner matter means mind moral nature never novel object observation once opinion original pass passion perfect perhaps picture piece pleasure Poe's poem poet poetic poetry present principle produced prose question reader reason regard relation remarkable represented seems sense Shakespeare sort soul sound speak spirit story style Swift things thought tion true truth turn universal verse whole writing
Pasajes populares
Página 289 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Página 299 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Página 228 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 304 - And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
Página 146 - Banners yellow, glorious, golden, On its roof did float and flow (This — all this — was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away.
Página 290 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Página 280 - But enough of this : there is such a variety of game springing up before me, that I am distracted in my choice, and know not which to follow. Tis sufficient to say, according to the proverb, that here is God's plenty.
Página 266 - Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore. Not the least obeisance made he; not...
Página 145 - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
Página 285 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Información bibliográfica
| Título | Specimens of Modern English Literary Criticism |
| Editor | William Tenney Brewster |
| Compilado por | William Tenney Brewster |
| Edición | reimpresa |
| Editor | Macmillan, 1907 |
| Procedencia del original | Universidad de Harvard |
| Digitalizado | 6 Nov. 2007 |
| Largo | 379 páginas |
| Exportar cita | BiBTeX EndNote RefMan |