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INDEX

In this index proper names appear in small capitals, titles in italics, and topics (including
fictitious characters) in small type.

Absalom and Achitophel, 200.

Academy, 136.

Accent, Quantity, and Feet, 164.

ACCIUS, 321.

ANACREON, 23, 48, 297.

Analects from Richter, 25.

Analysis of composition, 258-259.
Analysis of the Raven, 260-268.

Account of the Williams Murders, 17, ANAXAGORAS, 22.

18.

Achilles, 186, 234, 276, 314.

Acting, Elocution in, 223-225, fashion
for acting Shakespeare, 221, identi-
fication of actors and parts, 221-222,
impossibility of acting Lear, 231-232,
its deadening effect, 222-223, scenes
suitable to, 223, tendency to level
distinctions, 228-229, vulgar esti-
mates of, 229.

Actor, see Acting.

Ancient Mariner, xxviii, 295.
Anecdotage, 17.

Annabel Lee, 151, 351.
Annus Mirabilis, 345.
Antigone of Sophocles, 25, 31.
APOLLONIUS RHODIUS, 326.
APPELLES, 22.
APPIAN, 23.

Appreciations, 111, 343, 357.
Appreciative criticism, xix.
Arachne and Pallas, 4.

ADDISON, xxvii, xxxii, 31, 284, 287, 318, ARCHER, Xxvii.

345.

Arcite, 189, 199.

ARIOSTO, 61, 302, 325.
ARISTOPHANES, quoted, 304; 22, 200,

291.

ARISTOTLE, on seriousness, 278; xii,
xiv, xix, 22, 45, 198, 283, 344.
ARNOLD, definition of criticism, x; On
the study of poetry, 269-293:
classics, true and false, 272-273, 282-
284, fallacies in the estimating of
poetry, 271-275, importance of
poetry, 269-270, methods of study,
273-275, need of high standards,
270-271, seriousness in, 278; sur-
vey of English poetry, 279-293,
"touchstones," 275-278;

Notes on Arnold, 351-353;
Quoted, x, 269, 345, 352, 353;
ix, xi, xviii, xix, xx, xxii, xxiii,
xxv, xxix, xxxii, 83, 113, 141, 147,
164, 166, 167, 340, 341, 342, 343,

355, 356.

Art in fiction, 240–241.